Naši furianti

I‘ll Marry Off My Wife(cs)

The film is about a slightly crazy botany professor Ducánek, who is so busy with his scientific experiments that he has completely forgotten that he is married. Neither his housekeeper Veronika nor his friend Potužník knew about the existence of his capricious wife, the operetta diva Lucy. However, when his wife returns home after seven years in remorse, Ducánek takes a complicated action to elegantly get rid of his wife...

The Street is Singing(cs)

A pair of circus clowns, played by Vlasta Burian and Jaroslav Marvan, take in an abandoned child and care for them even when they have to make a living as street musicians. The grateful foundling loves his adoptive parents even in adulthood, when he struggles with both love and stolen loot that accidentally falls into their laps. However, the result is only a crudely sentimental comedy that is considered one of the weakest works of the king of comedians, although he also participated in the direction.

La bandera(es)

Tomás, accompanied by his biographer Lina, calls upon his two sons, Jesús and Antonio. The sons find themselves competing for a potential inheritance. The discovery of a large flag standing in the garden triggers a wave of family conflict.

His Majesty's Adjutant(cs)

Lieutenant Patera, who unfortunately became involved in a scandalous affair in the highest circles of the Habsburg monarchy, is transferred from his sentence to the backwater garrison in Munich.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Žena, která ví, co chce(cs)

Woman concert star seeks to connect with her adult daughter, by her former marriage to a staid industrialist who has kept the two apart since the girl was very small, and receives inadvertent help from the industrialist's just-fired employee who has fallen in love with the girl.

Lucia di Lammermoor(it)

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

Ludwig van Beethoven: Fidelio(en)

Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan’s wife, Leonore, came to Rocco’s door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century.

Operette(de)

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

Chicago(en)

Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

Měšťáci(cs)

Verdi Otello(en)

Desdemona in Verdi's Otello was a career role for soprano Renata Tebaldi, from her first operatic performance outside of Italy to her final appearance on the opera stage. Between those landmarks she performed the role nearly 100 times all over the world and made studio audio recordings that became reference recordings for the role. This 1962 production with the Deutsche Oper Berlin and Giuseppe Patane was planned as a media event from the outset and blessedly captures a consummate artist in a signature role at the peak of her gifts.

La Cage aux Folles(fr)

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

Tri svadby(sk)

Don Quichotte(en)

This May 2010 production of Massenet's 1910 opera "Don Quichotte" marked the opera's centenary and also Jose Van Dam's operatic farewell at the Theatre de la Monnaie, Brussels. It is beautiful in every way--vocally, scenically, sonically, and visually--and a worthy record of Van Dam's farewell. Van Dam is just shy of 70 in this production, but you would never guess it from his singing or stage movements--a consummate artist. His is a noble portrayal and deeply moving. The Act V death scene is a model of beautiful singing and acting.

Herra Lahtinen lähtee lipettiin(fi)

Conscientious middle-class clerk, Mr. Lahtinen tries to find the melody of his life.

Verdi La Traviata(en)

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

Kuriton sukupolvi(fi)

Aging professor of mathematics completes his life's work, a research project that has taken him decades, and climbs up from the boiler room (his study) and back to real life. He can hardly recognize his rebellious teenage kids and materialistic wife who hardly seem to notice his existence. The only person who is interested in the professor's work is Marja, his son's girlfriend and freshman at the university. An innocent infatuation flares up between the old man and the young girl, while the professor's family is only interested in the prize money awarded to the professor by an international jury for his academic achievements.

Company(en)

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

Aida - Arena di Verona(it)

The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.