El hombre cine mexicano: Pedro Infante, el mito

The Zapotec Chef(es)

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

They Made Us the Night(es)

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

Saved From The Waters(es)

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

School for Buglars(es)

The police plan to capture a killer by using a double that looks exactly as one of his victims.

Heroic(es)

Luis, an 18-year-old Mexican boy with indigenous roots, enters the Heroico Military College with the hope of securing a better future. There, he encounters a rigid and institutionally violent system designed to make him a perfect soldier.

Phantom Pain(es)

Daniel seeks catharsis by recalling with Sofía his past relationship.

ART MADE ME DISAPPEAR(es)

A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?

Mirreyes contra Godínez 2: El retiro(es)

(Not) Welcome to San Benito de los 4 Ríos(es)

In a small mexican town in the middle of nowhere, a murder begins to call into question the trust that supposedly exists among the villagers. Pilot that combines what originally were the first two episodes into a single one.

No desearás la mujer de tu hijo(es)

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

Viva Mi Desgracia(es)

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

A Breakfast Chronicle(es)

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

No Me Digas Wey(es)

Ojos que no ven(es)

Elena is in charge of the library in a private school. His monotonous life is affected when a new child arrives at school with whom he is obsessed and whom he treats like his son. One day he decides to take him away, generating a crisis in his real mother, Andrea, who will do everything possible to get him back.

Cuidado con el amor(es)

Salvador accompanied by two friends of his father whom he calls uncles, they arrive at a fair in the village, there he meets Ana. When he wins a bet he is paid with a mortgaged house, to his surprise upon entering the hom he realizes that Ana and her mother live in it, provoking a funny entanglement with an explosive final.

Cuando lloran los valientes(es)

A farmer is in love during revolutionary times.

Gitana tenías que ser(es)

Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.

Dicen que soy mujeriego(es)

Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.

Roy del espacio(es)

Roy Del Espacio (aka Roy From Space) was a Mexican animated movie directed by Hector Lopez Carmona, Rafael Angel Gil and Ulises P. Aguirre that was in production from 1979 to 1982, being released in theaters in Mexico City in 1983. However, the end result was apparently of really poor quality, so much that the movie was pulled from theaters only two days after its premiere. The movie was never broadcast on TV nor released on home video, and information about it or its creators is almost nonexistent. The only surviving visual information is a promotional poster containing both original art and a black and white still from the movie.

El mil amores(es)

Carmen has a daughter, Patricia, who attends a school for young ladies where they think Carmen is married to a sailor. Viviano is a friend of Carmen and when she needs it, he poses as the father of Patricia and she believes is her father. Actually, Viviano is engaged with Marilu