To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.
Interviews and discussions about children in naturism.
A group of women and non-binary journalists, bucking the white male status quo, launch The 19th*—a digital news startup that asks who has been omitted from mainstream coverage and how they can be included.
"Not Done: Women Remaking America" chronicles the seismic eruption of women's organizing from the 2016 election through today, and the intersectional fight for equality that has now gone mainstream. Like the movement it documents, this story is told collectively: through the firsthand experiences and narratives of frontline activists, writers, celebrities, artists, and politicians who are remaking culture, policy, and most radically, our notions about gender. Premiering against the backdrop of an unprecedented pandemic and widespread social upheaval, "Not Done" shines a light on the next generation of feminists who are unafraid to take on complex problems and are leading the way to true equality.
Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.
The extraordinary story of the 1971 Women’s World Cup, which was held in Mexico City and witnessed by more than 100,000 fans. This landmark tournament was dismissed by FIFA and written out of sports history – until now, with dazzling archival footage and interviews with the former players.
Focusing on five of them, this documentary pays tribute to the wealthy women who, under the Ancien Régime, promoted scholars and artists, and paved the way for female emancipation through their intellectual independence.
After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
This documentary portrays the way in which attacks against a twisted concept of “gender ideology” in four countries are being used to gain political power by right-wing conservative politicians supported by conservatives in the Catholic and evangelical churches.
In an era of antifeminist backlash, this articulate documentary by the makers of Thank God I’m a Lesbian forcefully reminds us that the revolution continues. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present status of the women’s movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. Anessential component of women’s studies curricula, My Feminism introduces feminism’s key themeswhile exposing the cultural fears underlying lesbian baiting, backlash, and political extremism.
Hajar is a 55-years-old Bahktiari woman from Iran who is betrayed by her family and forced to abandon her nomadic lifestyle. Climate change, urbanization and social issues have drastically diminished the traditional migratory activities of the Bakhtiari tribe from Southwestern Iran.
This film shows the work done by the "socorristas" feminist network. Through informative talks and stories about the actions of emotional containment these women have with others who need support, it seeks to eliminate the stigmas on abortions while also bringing out the reality of the clandestine abortion.
A group of teenagers who have been selected to participate in a recreational white water rafting trip. All of the kids selected have AIDS or have been infected with the HIV virus. At some point during the trip, all the kids tell their stories and share their feelings about what their lives have been like since being infected with the virus and how they struggle to live normal lives with a hope of a cure in the future.
This video reinforces the importance of safe crossing and loading/unloading behaviors for primary age students. In the story, the main character goes on an adventure with his pet dinosaur “EGG” to stress the dangers of the loading zone.
Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.
Two toddlers sit for the camera in their best clothing. One is determined to take toys and objects from the other until the other toddler starts to cry. The BFI notes this is a copy of a film originally made by the Lumière brothers.
Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.
A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.