
“This classic award-winning documentary is the first definitive treatment of the origins and rituals of the Black Mardi Gras Indians of New Orleans, It features two tribes: The Yellow Pocahontas led by Big Chief Allison “Tootie” Montana, and The White Eagles, led by Big Chief Gerald “Jake” Milon. The first part of the film reveals the sociocultural history of the Mardi Gras Indians, their costume prepartion, music, songs, dance and gatherings for a ritual practice. The second part is a sunrise to sunset visual account of the processions and street culture of the Black Indians on Mardi Gras Day. The film was screened for a full week in the New York Whitney Museum’s New Filmmakers Series. also was a finalist in the Cine Golden Eagle Awards and was screened at the Margaret Mead Film Festival. International festivals/screenings include: The Pompedeau Centre in Paris; London; Berlin; West Africa.”
1976-03-16
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THE FIRST DEFINITIVE DOCUMENTARY ON THE MARDI GRAS INDIANS OF NEW ORLEANS
0.0Chronicles over four centuries of African American influence on the development of the modern-day United States. Before Plymouth Rock and Jamestown, St. Augustine, FL had built a multicultural colony of free and enslaved men and women. This small colony would eventually set the stage for the first Underground Railroad in the late 1600s. Then, 300 years later, be the epicenter of events that would lead to the passage of the Civil Rights Act of 1964.
0.0An oral history documentary of people of color at Miami University during its Public Ivy period—from 1970 to the early 2000s.
6.0Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.
6.9James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
0.0An African-American family in Georgia works to save money for a power saw. Includes depictions of timber harvest techniques and process. Film made in 1952 by the United States Information Service and intended for foreign audiences.
6.1Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.
6.0Film commissioned by the Chicago-based publisher of Negro Digest, Ebony, Tan, and Jet to encourage advertisers to reach out to African American consumers. The Secret of Selling the Negro depicts the lives, activities, and consumer behavior of African American professionals, students, and housewives. A Business Screen reviewer noted that the film focused on the “bright positive” aspects of the “new Negro family.” The sponsor issued a companion booklet offering the “do’s and don’ts of selling to the Negro.”
6.9An examination of the life and legacy of Sly & The Family Stone – the groundbreaking band led by the charismatic Sly Stone – that captures the band's reign while shedding light on the burden that comes with success for Black artists in America.
6.7Four Black transgender sex workers in Atlanta and New York City break down the walls of their profession.
5.6An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
0.0Actor Robert Culp narrates this special examining the use of boycotts by African-Americans as a way of obtaining jobs.
5.6African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
7.6In a collection of intimate interviews with some of America's most provocative black conservative thinkers, Uncle Tom takes a different look at being black in America.
0.0Drag Race star Peppermint takes center stage in this up close and personal documentary about her journey with fame, identity, and the art of drag. Sharing her story alongside a close network of trans individuals, one of the world’s favorite drag performers takes you inside her rise from humble beginnings to her current reign as outspoken trailblazer for the trans community.
0.0“The Singer: A Montford Point Marine” tells the story of Henry Charles Johnson, one of the first African Americans in the U.S. Marine Corps and a professional crooner. Lured by the dignified Marine uniform and the allure of the G.I. Bill, he's abruptly thrown into the bare, segregated world of Camp Montford Point, a far cry from the lush expansiveness of Camp Lejeune he'd imagined. The harsh realities of Southern segregation strike a jarring contrast to his accustomed diversity of Manhattan, escalating further with hostility from drill instructors. Undeterred, his resolve is galvanized by the dream of donning the Marine uniform and the prospects following discharge. Post-discharge, Johnson immerses himself in New York's music scene, enchanting audiences with his soulful, Sinatra-esque timbre. This riveting narrative portrays the unmatched fortitude of the Montford Point Marines, representing a crucial African-American, American, and globally relevant human experience.
0.0Actor Glynn Turman makes his Broadway debut at 12 years old in the original production of “A Raisin in the Sun” opposite Sidney Poitier and becomes a silver screen legend for six decades.
Four African American families relate their experiences with adoption.
10.0Elementary Genocide is a documentary executive produced by award winning journalist/filmmaker Rahiem Shabazz. The documentary appeals to a wide general viewership by addressing the social, cultural, political and personal ramifications of how the federal government allots money to each state, to build prions based on the failure rate of 4th and 5th graders. In America, where half of the 4th grade is reading below grade level and more African-American males are in jail than are in college, Elementary Genocide serves as a striking reminder of a flawed system in need of repair.
10.0Documentary feature exploring the rise of African-Americans to positions of greatness in American sports. Stories are told of boxers, tennis players, runners, and basketball players, athletes who either suffered the indignities of racism, helped break down its walls, or enjoyed the opportunities afforded by past struggles.