2000-06-04
8.8
"Dad, why are you angry? You did the same yourself when you were young." - The Swedish army is too expensive. The cost has to be reduced by downsizing. The army chiefs begins to recreated the country's defense system.
A story of good versus evil revolving around a young woman. When Angela is born to David and Sara they are full of joy but as she grows up, she proves to be more of a curse than a blessing. Angela herself is confused and is only sure of one thing ... she doesn't want the dark powers which she cannot control.
A regiment of soldiers demonstrate their skills.
Everything you always wanted to know about pornography (but were afraid to ask).
Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.
A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.
It's clearly set in a studio set and people are walking about on the "street" in front of a window. A woman enters the window frame, and pulls off her blouse, then a couple of other items of undergarments, while a young man pauses to look. At this point, as the title indicates, she pulls down the blinds.
When gold is discovered the first man there gets to stake his claim. Joe and another man race each other, which involves a thrilling episode on a train.
A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").
The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?
After being called a liar for years, Stathis is forced to gather all his friends and take them to a top-secret location to prove the existence of a supposed rocket (that only he knows about). If he doesn’t show the rocket, he loses all his friends.
DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.
A whale is hunted in the southern hemisphere by the crew of a sailing ship: it is harpooned twice, using a cannon, and taken back to the shore. In the second part, the whale is butchered at a whaling station. A lady with a parasol looks on, while in the background are the sailing ships used to hunt whales. These are excerpts from a 1909 film called "La Pêche à Baleine dans les mers du Sud" made by Jean Nédelec and cut down in the 1920's for the Pathé Baby home movie projector.
One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera and used multiple exposures. They would then be projected in various combinations though usually as a four-screen.