Platform

The Apu Trilogy(bn)

Satyajit Ray’s The Apu Trilogy follows one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and, finally, a sensitive man of the world.

Flower Eater(en)

Struggling with the urge to eat flowers, a young woman will do what she can to hide her addiction from her family.

No End(en)

No End was inspired by a poem I wrote over the course of six months. During this process, abstract images surfaced, subsided, and settled: eventually forming the foundation of a film. The result is a lyrical journey that explores the intersection of interconnectivity and the lived experience. The film includes an original soundtrack by Graham Stewart of Viosac.

The Dog and The Fountain(zh)

A couple, about whom nothing is known, finds itself forced to live in the abyss of the end of time-a time when a mysterious fog encompassed all our societal and moral achievements with unequivocal cruelty.

Highway Hypnosis(en)

"Highway Hypnosis" - alternatively referred to as "white line fever" - is a dazed state in which a driver may travel long stretches of open road in a compliant and normal fashion, yet with little-to-no recollection of how their destination was reached.

Mother, Guide Me Home(en)

A mother and her daughter, born of the ocean, try desperately to heal one another.

Desde Fuera(es)

Anti-Gas Skin(ko)

A fresco mixing the satirical, the surreal and the fantastical to portray the social and political evils of today’s Korea. A gas mask-wearing serial killer is spreading terror. Four people are on his tail on election day: Miju – a wolf-girl who leads a sect of youths who are planning their mass suicide, Bosik – a traffic cop who’s convinced he is a super hero, Patrick – a US Marine on the brink of madness following the serial killer’s murder of his Korean girlfriend, and Ju Sanggeun, the favourite of the candidates for the mayoral seat of Seoul, who has received a disturbing death threat. The man behind the mask remains a mystery. The killer is everywhere or perhaps he is simply inside each of us. –Venice Film Festival

The Snake That Ate Itself(en)

A young painter caught in the vicious cycle of creativity must overcome her innermost turmoil.

A Short Film About Endings(es)

Manila Madness(en)

Manila Madness is a performance film-screen dance presentation that runs down the life of the urban streets of Manila in the Philippines, through a ritualistic performance of a young masked woman seeming endless passage to find the ultimate destination of life and death.

Each of Us(en)

A Short Film/VFX School Project by Anders Heiene and Ragna Aasen, inspired by the Blender artist Exequiel Martina, exploring a surreal story blending CG and Live Action.

The Desolate Void(en)

A post apocalyptic surreal horror story about a documentary crew and a woman in the middle of a seemingly abandoned country. Little does the crew know, it might be all in their heads.

Quarta Cinza(pt)

Us of All People(en)

A woman searches in familiar and lost territory.

Guts and Glitz(en)

Audiovisual material gathered by filmmaker Fox Maxy over a decade, including documentary footage, television clips, and animation—sometimes layered on top of one another—are presented as one collage. Amid this sensory barrage, themes of sexual violence, community, confidence and joy are explored.

Minhas Vozes Minhas(pt)

SVEN Ch. I(en)

A monster and his emperor scorpion are confined to a room.

Maslenitsa(ru)

Spoiled seven-year-old Vanka lives a carefree childhood. Going with his father to the Maslenitsa holiday, Vanka meets a runaway deserter in the forest, about whom he tells the adults. This act instantly deprives Vanka of his childhood, and the father of his child. The event opens his eyes to the adult world in which the child will have to live on.

It's how we all feel(en)

A film of the avant-garde genre. It represents wanting to escape, but ultimately finding comfort in your mental illness (not in a good way).