Who was Kafka?

L'angoisse du héron(fr)

Vietnam Story(en)

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

Colosseum: A Gladiator's Story(es)

Painting Pain(en)

The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. All together contribute to the depiction of man as a "garment of pain".

M'hamed Issiakhem(ar)

"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.

Personal Documentary(en)

During the summer semester at a New York City arts school, boundaries begin to blur between an adjunct professor and the students in her Personal Documentary filmmaking class.

All Five Millions of Us(pt)

"All Five Millions of Us" is a hybrid of documentary and fiction feature film about father absence, based on data released by the National Council of Justice: there are 5.5 million children without paternal recognition in Brazil.

The Hugo's Brain(fr)

The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.

Viva Stalin(ru)

A village meeting in communist Russia to pay homage to Stalin leads to a gossip marathon, which develops into an endurance test for the participants.

Más cinco(es)

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

On sourira de nous(fr)

Four friends tired of protests are thinking about another way to shake up capitalist society. Driven by fiction, they decide to blow up a Brussels shopping center. How to think the attack? What roles do they need to play in order to imagine taking action? Is their friendship reconcilable with such a radical act?

The Mexican Football Coaching Guide(es)

In this comedic docufiction, Javier (Javier Raphael) is a young man who has always wanted to be a football coach like his idol “El Chelís” (José Luis Sánchez Solá), but has never done anything to fulfill his dream. Now, guided by a nosy narrator (Jorge Pietrasanta), he will look for some of the most unorthodox amateur football coaches in Mexico, and for his beloved "Chelís", so that each one can give him lessons until he is fully trained to manage a match and thus become a true "Mexican football coach".

نصر الدين ديني(fr)

Étienne Dinet (إتيان دينيه), born March 28, 1861 in Paris, where he died on December 24, 1929, was a French painter and lithographer. He was one of the leading representatives of Orientalist painting at the turn of the 19th and 20th centuries. Obtaining a scholarship in 1884, Dinet undertook his first trip to southern Algeria in the region of Bou-Saâda, the Naili culture having a profound impact on him, as he would return there many times until he settled in his first Algerian studio in Biskra in 1900. In 1905, he bought a house in Bou-Saâda to spend three-quarters of the year there. In 1907, on his advice, the Villa Abd-el-Tif was created in Algiers, modeled on the Villa Medici in Rome. Having lived much of his life in Algeria, he called himself Nasreddine Dinet (نصر الدين ديني) after converting to Islam. On January 12, 1930, he was buried in the Bou-Saâda cemetery, where a museum that houses many of his works bears his name.

Wechselspiel – Wenn Peter Stamm schreibt(de)

Two documentary filmmakers become the plaything of writer Peter Stamm and subject of the novel whose creation they actually wanted to document.

Cradle to Grave(en)

Through our subject Adam, we reveal the incredible changes and forces that take all humankind from Cradle to Grave.

JJ(hi)

A reporter wants to take an interview but stuck with a person who is taking him to meet the interviewee

The Castaways Of Mont Blanc(fr)

This documentary is a reconstruction, based on archive footage, testimonies, and filmed reconstructions, of the Vincendon / Henry tragedy. December 1956: Jean Vincendon and François Henry, two young mountaineers, aspire to join the High Mountain Group. Lacking experience, they set out to climb Mont Blanc via the Brenva spur in the middle of winter. The weather conditions deteriorated, and they decided to give up before meeting Walter Bonatti and Sylvano Gheser. They then decided to continue the climb and set off in two different roped parties. Bonatti decided to take refuge at the Vallot refuge higher up, rather than descend. The two young mountaineers, overcome by the poor weather conditions and fatigue, remained stuck for several days at 4,000 meters. What followed was a completely disorganized rescue operation that became, for more than ten days, a spectacle for all of France and a national tragedy.

Atlal (Remnants)(en)

'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.

The Noise of Time(es)

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.