My Father, Nour and I

Une vie avec Oradour(fr)

June 1940, the Great Chaos(fr)

From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.

Hot House(he)

In a candid and unflinching portrait of Palestinian prisoners, Shimon Dotan takes viewers inside the highest security prisons in Israel where thousands of Palestinians fill these detention facilities.

A Company of Heroes(en)

Easy Company, the 2nd Battalion of the 506th Parachute Infantry Regiment of the 101st Airborne Division, fought their way through Europe, liberated concentration camps, and drank a victory toast in April 1945 at Hitler's hideout. Veterans from Easy Company, along with the families of three deceased others, recount their horrors and victories, bonds they made and the friends they lost.

Mother's heart(nl)

“Job is 2 meters tall and has been my baby for 58 years. I will continue to care for him as long as I can,” says 91-year-old Tineke about her severely disabled adult son. But how long can she keep that up and who needs who: Job Tineke or Tineke Job? A documentary about the limits of motherhood.

Český Alláh(cs)

Heaven Or Not(en)

Filmed in the quaint prairie town of Herbert, Saskatchewan, Heaven or Not by filmmakers Zuzana Hudackova and Danijel Margetic is an intimate portrayal of one man's tireless journey to give his life greater meaning. John Gerbrandt, a WWII veteran, has been singlehandedly building a 7,000-square-foot house over the past three decades with nothing more than his pension and salvaged materials. With no formal training, he is fuelled by a powerful determination to prove his worth to his God, his family, and his community. John's story transcends day-to-day life in a small town and reaches the realm of deep spirituality marked by an unwavering commitment. Now at the age of 84, suffering from health problems and the financial burden of property taxes, John might not be able to finish his lifelong endeavor.

Soldiers of Song(en)

Ukrainian musicians of all genres, from metal to opera, transform their passion for music into devotion to their country in this moving documentary. Beginning on the very first day of the Russian invasion, Soldiers of Song documents how the lives of its cast of Ukrainian musicians have irrevocably changed and how they use their musical talents to support themselves and their communities. Using shocking footage from the frontlines, this film reminds us not only of the ongoing tragedies that continue to happen during this war, but also of the resilience of Ukraine and its cultural forces. Here music functions not only to lift the spirits of the soldiers, but also as a cultural export to raise awareness of the war, a tool for raising humanitarian and military funds, and a valuable cultural artifact for everyday Ukrainians to rally around and protect. The musician’s commitment to their craft reminds us of the real power art has and the impact of beauty under catastrophic circumstances.

Memory of the Cactus(ar)

A 42 minute documentary film that combines the cactus and the memories it stands for. The film addresses the story of the destruction of the Palestinian villages of Latroun in the Occupied West Bank and the forcible transfer of their civilian population in 1967. Over 40 years later, the Israeli occupation continues, and villagers remain displaced. The film follows two separate but parallel journeys. Aisha Um Najeh takes us down the painful road that Palestinians have been forcefully pushed down, separating them in time and place from the land they nurtured; while Israelis walk freely through that land, enjoying its fruits. The stems of the cactus, however, take a few of them to discover the reality of the crime committed.

Shadow of War(mo)

When Russian armed forces invaded Ukraine, Moldovans raced to the borders to assist refugees, offering warm food, rides, and shelter. At the same time, a group of Moldovan filmmakers formed an ad-hoc film collective to document the unwavering efforts of volunteers and the fate of refugees through multifaceted lenses. Despite these acts of solidarity, a segment of the population's Soviet nostalgia fuels a growing fear that the country could be drawn into the war.

I Want to See(fr)

July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. Together, they will drive through the regions devastated by the conflict. It is the beginning of an unpredictable, unexpected adventure...

Aan ons den arbeid(en)

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Three Promises(ar)

Yousef Srouji’s childhood in Palestine wasn’t something that he and his parents spoke of as a family, so when he found a box of his mother’s home videos from the early 2000s, an especially perilous and tumultuous period in the West Bank, the tapes became a means for remembering and comprehending a painful past. The stories she captured illuminate the nature of life in a war zone, and familial bonds that cannot be broken. – Bedatri Choudhury (DocNYC)

Relative(en)

A filmmaker unearths a pervasive history of multigenerational trauma in her Italian-American family. As decades of secrets, home movies, and long-avoided conversations surface, a family once bound by tradition forges a new path forward.

Superpower(en)

Sean Penn and Aaron Kaufman’s documentary, shot just before and after Russian invasion of Ukraine on 24th February 2022, and featuring several interviews with Ukraine President Volodymyr Zelensky.

The Books He Didn't Burn(de)

Explores how Hitler’s personal library provides a look into his mind and how it significantly informed his worldview.

Duutsers(nl)

How was the Second World War experienced in Rouveen, Overijssel? This Orthodox Christian village near Staphorst was self-sufficient during the war. And largely isolated from the outside world. The last eyewitnesses of the war, the children of that time, are now all very old. In the Duutsers, residents of the Overijssel village of Rouveen talk movingly openly about their war memories to fellow villager and filmmaker Geertjan Lassche. Their stories are interspersed with historical video fragments and photos from the past. This is how an honest child's view of growing up in a rural village unfolds. How did the war come to the village? Who is that stranger in the village in front of them, that German? And in what those of other strangers? When does unrest arise, and unrest in fear of hatred? What about the Jewish labor camps in the village and how did they view the Canadian liberators?

Het Doet Zo Zeer(nl)

What’s it like to age with early-phase vascular dementia? And how about your loved ones? Successful author Heleen van Royen has taken on caring for her elderly mother and films their frequent meetings. Increasingly, Mrs Breed’s life consists of confusion and unbearable stabbing pains that she tames with a mantra. She regularly refuses help, good advice and a Zimmer frame, although she is also thankful for her committed daughter’s support.

Reverberations(ar)

Thirty years after the end of the Lebanese Civil War (1975-1991), a filmmaker seeks to explore the trauma inflicted by the war on her family. Reverberations traces the history and politics of a nation in disarray in an intimate mother-daughter portrait that unravels the trauma that defined an era lost to history and a generation’s silence about its long-standing effects.

Song of the Flies(es)

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.