The Lemon Grove Incident
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The Jazz Ambassadors(en)
The Cold War and Civil Rights collide in this remarkable story of music, diplomacy and race. Beginning in 1955, when America asked its greatest jazz artists to travel the world as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how could they represent a country that still practiced Jim Crow segregation?

Black Thoughts(en)
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

The March(en)
The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia)

Rap Dixon: Beyond Baseball(en)
Rap Dixon was a legendary African American baseball player who played in what were known as the Negro Leagues. This film chronicles his life and baseball accomplishments while exploring how racism and segregation affect how people are remembered in history.

I Am Richard Pryor(en)
The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.

Corpus: A Home Movie About Selena(en)
CORPUS explores the mass adulation and explosive posthumous recognition of Selena Quintanilla, the Tejano rock singer murdered by the president of her fan club in 1995. Pushing beyond the mainstream media's fascination with her violent death, Portillo interviews Selena's family and friends as well as the devoted fans that pilgrimage to Selena's grave in Corpus Christi, Texas, to pay homage to the slain star. Moving and provocative, this humble investigative portrait explores Selena's cultural significance as a pop icon and shines a light on the hopes, fantasies, fears, and realities of young Latinas today.

The Color of Fear(en)
Diversity trainer Lee Mun Wah assembles a diverse group of eight American men to talk about their experience of race relations in the United States. The exchange is sometimes dramatic as they lay bare the pain that racism in the US has caused them.

Matthew Kennedy: One Man's Journey(en)
A documentary on the life of Matthew Kennedy, one of the first internationally acclaimed African American concert pianists, and former director of the Fisk Jubilee Singers of Nashville, Tennessee. The film contains footage of interviews with Dr. Kennedy, live performances, radio broadcasts, studio recordings, and interviews with his former students and colleagues. Born in the segregated South in 1921, Matthew Kennedy was known throughout his home state of Georgia as a child-prodigy. At age 12 he attended a concert given by the famous Russian pianist Sergei Rachmaninoff in Macon, Georgia in 1932. Kennedy describes what he remembers of the concert from his perspective in the segregated balcony for “Colored.” He was also the star of his own radio show in the early 1930s. At that time, Kennedy's stage name on radio and in the cinema – where he played the organ to accompany the silent films – was “Sunshine.”
Las Marthas(en)
Marthas is a PBS documentary about an extraordinary rite of passage in Laredo, Texas where teenage Mexican-American girls debut in a grand Colonial Ball dressed as American revolutionaries - a tradition that goes back 114 years.
White Like Me(en)
In White Like Me, anti-racist educator Tim Wise explores race and racism in the US through the lens of whiteness and white privilege.

Ballad of an Unsung Hero(en)
Using rare historical footage, vintage musical recordings, and interviews with 88-year-old Pedro J. Gonzalez and his wife, this film chronicles Gonzalez’s long and colorful life, from his early days with Pancho Villa during the Mexican Revolution, to his career as a popular radio personality in Los Angeles in the 1930s, to the controversial court case that sent him to San Prison, a victim of the repressive forces operating against the Chicano/Mexicano community during that period.

Crisis: Behind a Presidential Commitment(en)
During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999.

The Green Book: Guide to Freedom(en)
In 1936, Victor H. Green (1892-1960) published The Negro Motorist Green Book, a book that was both a travel guide and a survival manual, to help African-Americans navigate safe those regions of the United States where segregation and Jim Crow laws were disgracefully applied.
La Uva(en)
This feature length documentary tells the story of three Latino wine makers in California's Napa Valley. From their humble beginnings as immigrant laborers working the grape harvests in California, to their now formidable positions as wine makers and wine consultants, they are witnesses to the new era of the American dream. Journey from their homes in Mexico, to immigrants working the fields of Napa, to success in the highly competitive industry of wine making. It is not just the story of immigrants or wine makers, it is a story of the pursuit of a dream.

Czechs Against Czechs(cs)
This cinematic reportage with elements of a personal journal explores xenophobia in Czech society and anti-Nazi activists, but also the filmmaker’s personal experience from living among in an socially excluded Romani neighborhood. Most of the footage was shot by the director using his own camera, and the immediacy of the images is further accentuated by voiceover observations and commentary. In just a few scenes, he adds music for dramatic affect. With his direct questions, he tries to unmask the racist arguments not only of anti-Roma protestors, but also of many ordinary citizens.

Black Sun(de)
A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

Josephine Baker: The Story of an Awakening(fr)
How did a poor little black girl from Missouri become the Queen of Paris, before joining the French Resistance and finally creating her dream family “The Rainbow Tribe”, adopting twelve children from four corners of the world? This is the fabulous story of the first black superstar, Josephine Baker.

Strange Fruit(en)
In 1937, after seeing a photo depicting the lynching of a black man in the south, Bronx-born high school teacher Abel Meeropol wrote a poem entitled "Strange Fruit" that begins with the words: "Southern trees bear a strange fruit / Blood on the leaves and blood at the root." He set the poem to music and a few years later convinced Billy holiday to record it in a legendary heartbreaking performance. Intertwining jazz genealogy, biography, performance footage, and the history of lynching, director Joel Katz fashions a fascinating discovery of the lost story behind a true American classic. Written by Excerpted from Coolidge Corner Theatre Program Update

Voice of Freedom(en)
On Easter Sunday, 1939, contralto Marian Anderson stepped up to a microphone in front of the Lincoln Memorial. Inscribed on the walls of the monument behind her were the words “all men are created equal.” Barred from performing in Constitution Hall because of her race, Anderson would sing for the American people in the open air. Hailed as a voice that “comes around once in a hundred years” by maestros in Europe and widely celebrated by both white and black audiences at home, her fame hadn’t been enough to spare her from the indignities and outright violence of racism and segregation.
Nine from Little Rock(en)
The Arkansas school integration crisis and the changes wrought in subsequent years. This film profiles the lives of the nine African-American students who integrated Central High in Little Rock, Arkansas, during the fall of 1957. The film documents the perspective of Jefferson Thomas and his fellow students seven years after their historic achievement. Central to this story is their quiet but brave entrance into Little Rock High, escorted by armed troops under the intense pressure of the on looking crowd. We learn first hand their impressions of the past and present and their hopes for the future. Their selfless heroism broke the integration crisis and pioneered a new era. This film went on to win an Academy Award® for Best Documentary Short in 1964.