Solange

Sisa(tl)

The Philippines, 1902. The land is raw, wounded, occupied. Smoke clings to the trees. Blood soaks the soil. The war is over – but the violence lingers. Widows fill the villages. Mothers vanish into silence. Among them walks Sisa (Hilda Koronel), barefoot and broken, dismissed as mad by those who fear what they don't understand. But madness is only the surface.

La regla de Gala(es)

Gala is preparing for the firefighter exam when she gets her period accompanied by severe menstrual pain. Together with her father Alfonso, they must figure out how to manage the situation.

Comando marino(es)

The Lowlife(ja)

Based on a 2016 novel by Mana Sakura, “The Lowlife” shows the stories of three women who work in Japan’s adult video industry.

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

hægtesse(de)

Sugar Salt and Love(mr)

Three women navigate their way through life and love.

Virus Queen(en)

An experimental essay film reflecting on love, temporality, memory, absence, and living with HIV.

Daucus Carota(xx)

A community of women lives in an old convent that falls apart. They never talk and strive to keep everything clean. One day, Irene realizes for the first time that there is much more beyond the routine she and her sisters keep doing over and over. Irene, following nature’s signs, starts a journey of reconnection with her own impulses and body to finally find her own voice.

Mother(ar)

Wanting a better life for herself and her child, Amani decides to flee Lebanon. Her journey unravels impossible choices and sacrifices only a Mother can make.

Keeper(en)

A woman takes time in private on a tiny island in Helsinki to contemplate a loss that has caused sudden changes in her life. This tragedy has challenged her to see the world in a different light. A light that is driven by a force of nature.

Tear It Down(fr)

In an insurrectionary climate, four twenty-year-old friends talk about politics. As a big protest looms, one of them, Clara, has to write a college essay. Caught in the virtual images and the comfort of her bedroom, going out is harder than expected.

Jingga And Colors That Refuse To Fade(jv)

In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.

Entre Corpos(pt)

Mai(vi)

When a struggling single mother falls for a wealthy heartbreaker, their risky romance could just turn their lives around — or tear their worlds apart.

Arrival(ru)

Ten girls are waiting for arrival of the train. We find out from the conductor that it is delayed indefinitely. We spy on the girls from the outside and they figure it out. While they are telling their stories, sharing their problems and concerns, we are all waiting for the train. Will the train arrive? Where are they going and what are they really waiting for?

Day of the Idiots(de)

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

38Irgendwas(de)

Maribel(es)

Maribel, a 50-year-old woman records a video for her lover, named Marcelo, where she narrates different experiences that have led her to the decision to end her life.

Welcome Home Freckles(ko)

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.