
In this documentary shot at Canadian Forces Base Petawawa during a troop deployment to Afghanistan, children and teens talk about the particular circumstances of having soldiers as parents. Directed by Claire Corriveau, Children of Soldiers lifts the veil on a reality shared by thousands of young Canadians, and on the difficulty of finding a balance between loyalty to the troops and staying true to themselves.
2010-01-01
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0.0In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
8.0For longer than the United States has been an independent nation, there has been a Marine Corps. They consider themselves the very best America has to offer. Embodying fierce patriotism, extraordinary courage, and innovative weapons, they are a force. This documentary focuses on their training and examines what it means to be a Marine.
0.0A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.
0.0Yin Honqiang, a master carpenter from Jiangyin, has been working with wood for over 50 years. Along with his son and his grandson, they create handcrafted pieces of furniture of the highest level, what lead them to be one of the most important furniture makers in all of China. Take a seat is a close look at their way of working while keeping the tradition alive throughout generations.
6.0As they undergo 12 weeks of intensive training, a group of young civilians is gradually moulded into soldiers. The Basic Training, a prerequisite for joining the Canadian Armed Forces, becomes the gateway to exploring the inner workings of a world governed by its own rules and values.
6.1In 2013, Dima Ilukhin, the cousin of the film’s director and a soldier in the Russian army, died on duty in the Republic of Dagestan in the North Caucasus. He was 21 years old. This incident marks the starting point for Abaturov’s reflection on the military. He films the training of new recruits in Siberia, as they bid farewell to their mothers and girlfriends, learn the mechanics of a Kalashnikov, or how to throw a hand grenade and administer first aid. While his parents try to cope with their loss, Dima’s former fellow recruits have to return to battle.
0.0Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.
10.0Fiona Humphrey (9 y/o) suffers from Sanfilippo Syndrome, a rare form of MPS that is slowly destroying her abilities and will ultimately kill her. Her mother Catriona suffers from an equally rare kidney disease. Her adolescent sisters Paige and Heather function as parents when their father Randy is working at Cracker Barrel, as the sole source of income. This is a look into their life, and the sacrifices they make to be happy.
0.0In 2021, Australia (particularly the eastern states) was hit with a wave of COVID-19 cases that heavily affected many families, causing whole states to go into lockdown. This short documentary highlights the impact lockdowns have on any family throughout Australia.
0.0A man recounts his life experiences from his youth in Türkiye, to his many years spent behind the counter at a small Fish & Chip shop in the UK.
0.0This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.
6.3A film about longstanding relationships, family, and the deep consequences of falling in love. While exploring themes of love in music, poetry and art, the filmmaker reflects on his life and the journeys on which love has taken him. Now, a new journey will test him again, an intercontinental exodus to keep his family together. A real and intimate portrait about the complexity of love.
A simple story of happy home and family relationships, showing various childhood activities. Does not give guidance for kite flying.
9.0The Font Bover family goes to fetch water (they swim) and then water some trees. Available on YouTube.
0.0During the pandemic, living under an extreme right-wing government, filmmakers Bel Bechara and Sandro Serpa receive the news that would change their lives: there was a baby to be adopted.
9.0Herbert Fingarette once argued that there was no reason to fear death. At 97, his own mortality began to haunt him, and he had to rethink everything.