Denemon Shinanoya
A period mystery in which an unconventional priest exposes the truth behind the bizarre death of a maid in the shogun's harem. Kinuyo Tanaka stylishly plays a constantly intoxicated geisha in this all-star entertainment film.
1951-01-13
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Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
A spree of murders in the city targets peddlers and komuso monks, all killed in the same method. Dobu investigates after a ronin's death with a unique clue.
In 1879, Kenshin and his allies face their strongest enemy yet: his former brother-in-law Enishi Yukishiro and his minions, who've vowed their revenge.
In the era of the ninth shogun, Ieshige, the Ooku of Edo Castle was a world of only women, with Tokiwa at the head and numbering up to a thousand. The town girl Otoshi catches the eye of Oitsu-no-kata and is brought into the Ooku. Oitsu receives the favor of Ieshige and is blessed with an heir, but Oko-no-kata resents Oitsu to the point of wanting to curse her to death. At that time, rumors of an evil spirit in the unopened room spread throughout the Ooku.
With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.
Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
Ronin Sasaki Kojiro pursues his ultimate goal of becoming a master swordsman. Along the way he encounters another great swordsman, Miyamoto Musashi.
Kunisada Chuji is a common folk hero who looks out for poor people in the country who are at the mercy of corrupt officials. Intent on fulfilling a dying wish from one of his henchmen, Asataro, to find a decent home for his young nephew, Chuji descends from his hide-out in the mountain, and heads to the city in spite of numerous dangers that await him there.
TV movie based on the novel "The Tale of Genji" by Murasaki Shikibu, which tells about the life of Prince Hikaru Genji, who was nicknamed "Shining" by people for his dazzling noble beauty. In 1991, to commemorate the 40th anniversary of TBS' founding, it was released with a total production value of around 1.2 billion yen and aired in two parts.
In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.
One night, Sawatari Shusui saves a geisha named Osode from a ninja attack. Osode's mother is said to be carrying the child of the shogun, Tsunayoshi, and has hidden herself on Hachijo Island. Shusui heads to Hachijo to verify the truth. Meanwhile, Shusui had heard from Tsunayoshi that he was planning to appoint the Kofu Chancellor, Tokugawa Tsunatoyo, as the next shogun, but Sumi's father, Makino Bizen no Kami, whose daughter was pregnant with Tsunayoshi's child, was planning to have his daughter's child ascend to the shogunate and seize real power. Amidst all this, Shusui, along with Osode and his servant, Sasao Yoshinari , sets foot on Hachijo Island and meets Tsunayoshi's son, Kotaro, who was born to Osode's mother. But then a group of ninjas attacks.
Sawatari Shusui was told about 7,000 ryo of buried gold by Osuke, who claimed to be a princess of the Fujiwara family. Shusui speculates that powerful people in the Date family and the shogunate are planning to overthrow the shogunate using buried gold and gets excited about a major national crisis. He gets separated from Osuke due to interference but with the help of his sister Kikuji and others he tracks down Osuke's whereabouts. He then realizes that Osuke is not from the Fujiwara family but is actually the daughter of Edo elder Itakura Shōken who has been confined under the pretext of an epidemic disease. Having promised to help Osuke, Shusui goes up to Edo Castle and advises shogun Tsunayoshi not to visit Nikkō Tōshō-gū Shrine which has been restored by Date family because "evil spirits are attached". However, Tsunayoshi is furious and orders him to stay under house arrest.
A marriage proposal from the Kishu family is presented to Kikuji, but her brother, Sawatari Shusui, declines it. Around the same time, the lord of the Kishu family dies under suspicious circumstances. Determined to resolve the turmoil within the Kishu domain, Shusui embarks on a journey. The proposed suitor for Kikuji is Shin'nosuke, a young samurai who recently saved Shusui from an attack but left without receiving thanks. Shin'nosuke, heir to the Kishu domain, has headed back to Kishu. However, Iwakura Guntayu, the Edo elder of the Kishu domain, is plotting to install his concubine's child as the new lord and seeks Shin'nosuke's life. Accompanied by Kikuji and his servant, Sasao Yoshinari, Shusui hastens to Kishu to confront the brewing crisis.
The one who hurriedly ascended the castle upon hearing news of Shogun Tsunayoshi's illness was Saotome Mondonosuke. However, instead of an illness, he was prompted to consider a marriage proposal with Yaehime, a daughter of the Date clan. Yet, this was merely a pretext, as he was requested to investigate the truth behind the rumors of rebellion within the Date clan. Mondonosuke, who took on this task to stave off boredom, accompanied by his retainer Kinai, departed for Mutsu, following the procession of Yaehime returning to her home province. However, remnants of the Toyotomi faction, already plotting the overthrow of the shogunate, had gathered under Kii Koya Bunzaemon…
Manji, a highly skilled samurai, becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain his soul. He promises to help a young girl named Rin avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu. The mission will change Manji in ways he could never imagine.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
Mori Kojiro, a member of the Akō Ronin, fails to identify Kira Kozukenosuke before their attack and is publicly banished by Ōishi Kuranosuke. Ōishi later apologizes privately, revealing that Kira has a decoy and assigning Mori a secret mission to kill the real Kira if necessary. Devastated, Mori finds solace with Okame, a local bar owner. After the ronin avenge their master, Mori, believing their mission complete, plans to leave his samurai life for Okame. However, Terazaka Kichiemon reveals that Kira was not killed but fled, and the decapitated man was a decoy. Mori decides to complete his mission and hunt down the real Kira.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
When the brutal Boshin War breaks out in Japan, a group of inmates on death row unite to defend a fortress against the Imperial army.