
Footage shot in and around North Bergen, New Jersey presented in a minimalist series of fixed camera angles and long-takes accompanied by the ambient noise of city streets.
2022-12-26
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0.0Unveiling Yasujiro Ozu’s legacy through his personal diaries, letters, and interviews, the documentary delves into his life, creative process, and lasting impact on filmmaking.
0.0Two young documentarists travel around a forsaken island in the aftermath of a cataclysmic volcanic eruption. Their wanders lead them to the encounter of Professor Pereda, an acoustic geologist, conducting researches on geo-acoustics.
0.0Through the Fondren Fellows program, the Rice Media Center Archive Project has spent the past few months sifting through material stored at the now-defunct Rice Media Center. The team has identified several films as especially notable and will be presenting them in conjunction with documentary footage the team shot of people involved with the films. From lectures featuring Roberto Rossellini and Werner Herzog to films from former Rice students and faculty, the film presentation will tell the narrative of the Rice Media Center through the films and filmmakers that passed through its corridors.
6.5An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
7.7With exclusive behind-the-scenes access into Herzog’s everyday life, rare archive material and in-depth interviews with celebrated collaborators – including Christian Bale, Nicole Kidman, and Robert Pattinson, we are given an exciting glimpse into the work and personal life of the iconic artist.
0.0A pre-fame Werner Herzog (Adam Ezagouri) is asked to share a flat with a strange new actor only known as Klaus Kinski. Herzog agrees but soon regrets his generous decision as Kinski proves to be one uncanny flatmate. Despite their disagreements, both decide to try and shoot Herzog's own version of Don Quixote, with disastrous consequences.
9.5It seemed like a typically quiet night... but the most unexpected encounter leads Chris to a difficult choice.
7.1A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
7.5A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A film describing the political history of Dubrovnik and the history of its architecture, painting, literature and science until the end of Republic of Ragusa.
The Beauty of the Adriatic was created as a promotional tourist film, but through its unusual and even bizarre formal devices it overcomes the promotional function. The narrator of the film is constantly communicating with the viewer, exclaims and inserts jokes, and we also see him in the film as a guide entertaining us with various gestures and movements. In the film there are also interspersed humorous animated scenes, an interview with Hamlet, poetic sequences and stylized scenes such as one where the camera is "looking for" the lost guide.
0.0Zvonimir Berković decided to present the Dubrovnik Summer Festival on film in an imaginative manner. He set scenes from the most popular plays of the Festival across various locations in Dubrovnik, so Pero Kvrgić acts Negromant's monologue from "Dundo Maroje" while interacting with vendors on the local marketplace, and in the dreamy atmosphere of Lokrum forest fairies are performing a scene from Držić's "Grižula".
0.0The intellectual and the sensual are combined in this essay presentation of the work of the painter Ivo Vojvodić from Dubrovnik. Through the presentation of three frequent motifs of Vojvodić's painting - the sea, reefs and letters - Berković touches upon the emigratory fate of Vojvodić's family in desire for a home and the Ragusan ideal of freedom.
0.0Mathieu Collette, a passionate blacksmith, renovates an abandoned heritage building belonging to the City of Montreal to create a blacksmithing school. Sixteen years later, after turning the building into an internationally renowned center for the transmission of living heritage, Mathieu is threatened with eviction for obscure administrative reasons, in the very year of Montreal's 375th anniversary. What could possibly justify putting one of Quebec's last blacksmiths out on the street, as the bearer of an unparalleled social and heritage project? Filmed over several years, this documentary traces Forges de Montréal's fight against the disappearance of a part of our collective memory.
0.0Peter Mansbridge travels the country to talk to Canadians about what's on their minds on the eve of an election.
Filmmaker Guillermo Del Toro in conversation with George Romero.
Documentary about Palenque de San Basilio, a town built by African slaves who espaced in Cartagena de Indias, and have preserved for centuries their rites, their music and their language.