Self
A haunting story of the FBI's dark hand in American life. In 2015, Khalil Abu-Rayyan was just a young Muslim man in Detroit, Michigan: to get by, he delivered food for his family's pizzeria. Depressed and lonely, Khalil found solace in smoking weed and looking at extremist material online. Then two young women started messaging him, and he fell in love. But one of them suggested he start doing increasingly violent things. Nothing was as it seemed. And Khalil's life would never be the same. A documentary by Garret Harkawik for the Gravel Institute.
2022-02-11
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I Was a Lonely Pizza Guy. Then the FBI Tried to Catfish Me.
A highly sophisticated program documenting the night life of Bowling Green, Ohio.
When Logan Paul's fifth friend Mike Maljeek drops a bombshell about his Flat Earth beliefs, Logan and the team strap on their tin foil hats and embark on a journey to find the truth, follow along as they spiral down the two-dimensional rabbit hole, meeting colorful characters and confronting outrageous theories.
A documentary by Justin Arment that explores the 1991 rename of Michigan city 'East Detroit' to 'Eastpointe', and the racially motivated reasonings behind it.
Rolland, a 70 year-old man, exiled by his family due to his sexual orientation, makes peace with the past by finding himself in a small ghost town in the western part of Jalisco, San Sebastián del Oeste. Almost 40 years later, he wants to go back to his hometown, try to regain his daughter's love and be a part o his granddaughter's life.
Imagine a prison with some ten thousand prisoners, many of them dangerous and, to control them, only a few unarmed employees. Small in number, these employees work in shifts. They are almost prisoners themselves, in a routine of tension, but also of humor and emotion. This prison was all too real. While it was in existence, the Carandiru was the largest prison in Latin America, administered by a reduced number of employees. The documentary shows, from the point of view of these few employees, holding the keys, how the prison operated: the delicate balance in the relationship with the prisoners, affinity among employees, moments of tension and, even, of happiness. These are stories told by former employees, among them, Dr. Dráuzio Varella, author of the book Estação Carandiru. These are the secrets of a place that no longer exists.
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.
The visual documentary "Negritudes Brasileiras" was a way found by Nataly Neri to continue the Brazilian racial debate, locating it in the present time with the rise of new concepts such as representativeness and the increasing popularisation of the internet. The documentary was sponsored by the Youtube project Creators For Change, which provides a framework for creators to produce content engaged in the platform to combat hate speech, racism, xenophobia, etc.
The Via Emilia changes and becomes an open-air museum: hidden installations - although architecturally majestic - invite us to shift our perspective, to rethink the journeys that we thought we knew by heart.
Lizzie Lovejoy’s mini-documentary explores the world of non-traditional performance spaces, especially in the Tees Valley and celebrating the fantastic work they do. Lizzie spoke to Bobby Benjamin, artist and curator of Pineapple Black in Middlesbrough, about the exciting range of work the gallery has housed over the past couple of years during festivals, exhibitions and events. And from Redcar Palace Art Gallery, director James Beighton and curator Beth Smith of Tees Valley Arts discuss how the venue is used to create works as well as share them, and why accessibility has become one of their main focuses. People connect to performance in different ways than visual art, but both can be incredibly powerful and influential. Using local creative spaces to pull both together highlights how fantastic our local cultural community really is. This is an Art Mouse film for NARC. TV, written and directed by Lizzie Lovejoy.
A short retrospective documentary on the struggles of eating disorder.
This film shot by Michael Pilz between 1964 and 2005 is a meditative documentary in which personal images can be read as the director's way to liberation in the spirit of Eastern philosophy. It is conceived as an inner pastiche which permits the message to be immediate and authentic by mosaic-like blending of motifs and time planes where it seems that the film is the only fixed point in the world because, unlike its elusive nature, it has a clear order.
This documentary follows a soccer team in South Africa on their journey to the final game of the first CAF Women's Champions League tournament in 2021.
Hiding in the Walls unwinds the fraught history of lead poisoning in Baltimore and follows the adult survivors who are on a mission to reclaim the narrative.
This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.
Johnny Knoxville, Steve-O and Chris Pontius join the annual race around Europe, have fun in other countries, and get in some trouble along the way.
Documentary about the magnitude and severity of domestic violence. This film features four women imprisoned for killing their batterers and their terrifying personal testimonies. It won an Oscar at the 66th Academy Awards in 1994 for Documentary Short Subject.
Fu Chu is one of the most important and strict prisons in Japan, where they have more than 2,000 people living together. In addition, it is the one that has the greater number of foreigners. Through the testimony of two French prisoners we know first hand how the inmates of Japanese prisons live behind bars. Fu Chu is known worldwide because many ex-convicts have sued the Japanese State for the treatment received during their incarceration. Amnesty International has been interested in this problem and has denounced the methods used to consider that they violate Human Rights. In this documentary the cameras enter for the first time in the premises of the prison and show how is the strict regime of this institution.
Every day in the United States, law enforcement agencies at the local, state, and federal levels—including the FBI and DEA—use investigative resources to target the supply side in the war against drugs. But, even with numerous law enforcement successes in this area, the demand for drugs continues. And, one of the more worrisome trends is a growing epidemic of prescription opiate and heroin abuse, especially among young people.