Chronicles the rise and fall of 1970s New York City nightclub Plato's Retreat.
PUBLIC ENEMY NUMBER ONE looks at the war on drugs from 1968 until today and looks at trigger points in history that took cannabis from being a somewhat benign criminal activity into a self-perpetuating constantly expanding policy disaster.
The history of Europeans in North America, from the arrival of Columbus in 1492 to the business success of German immigrants such as Heinz, Strauss or Friedrich Trumpf, Donald Trump's grandfather. During the 19th century, thirty million people — Germans, Irish, Scots, Russians, Hungarians, Italians and many others — left the old continent, fleeing poverty, racism or political repression, hoping to make a fortune and realize the American dream.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
A documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?
A cheap, powerful drug emerges during a recession, igniting a moral panic fueled by racism. Explore the complex history of crack in the 1980s.
A look at the world of US writer Paul Auster, on the occasion of the publication of his new novel, an exploration of human identity and the soul of New York, the city that Auster has portrayed as no one else has ever done.
An account of Orson Welles' 1938 radio drama broadcast that inadvertently started a mass panic.
Tracing the story of a student uprising this documentary explores how the NRA manages to keep a permissive gun law alive, and why it has such a strong hold over American society.
In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.
Living in France, a Rwandan psychotherapist committed to rebuilding her country returns this time to learn to play the inanga, the traditional zither. A moving journey through a festive Rwanda, in search of her cultural identity.
In 1978 the police attacked demonstrators at the Sydney (Australia) Mardi Gras celebrations. This film details the communities' responses.
Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.
On 19 March 1966, a photo exhibition about the police intervention during the wedding of Beatrix and Claus opened in Amsterdam. After the opening, filmmaker Louis van Gasteren filmed how, in the distance, policemen began beating up a young man, seemingly without any provocation. This footage was shown that same evening on television. Van Gasteren interviewed the victim, a 22-year-old student, who declared that he was walking in that direction because his ‘bicycle was there’. That became the title of this short film, in which Van Gasteren used slow motion to analyse the objectionable actions taken by the police.
Guy Debord's analysis of a consumer society.
Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
A 1970s American elementary school program encouraging students to figure out for themselves the universal building blocks of human community — family, work, faith, etc. — inflamed political sensitivities so intensely it was shelved and forgotten. Archive footage of the documentary film series at the program's core, classroom exchanges, and the ensuing controversy frames larger issues of education, politics and ideology.