The Architecture of Frank Lloyd Wright

One Big Home(en)

On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.

The Architects(en)

Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)

Big Time(da)

Big Time gets up close with Danish architectural prodigy Bjarke Ingels over a period of six years while he is struggling to complete his largest projects yet, the Manhattan skyscraper W57 and Two World Trade Center.

Frei Otto: Spanning the Future(en)

The life and works of Frei Otto told in his own words and by those he inspired. An in-depth look at the rise of lightweight architecture, form finding, and its continued relevance for the future of architecture.

Empire City(en)

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

Kutná Hora(cs)

Přemyslovci ve Znojmě(cs)

Přitažlivost věže(cs)

The Coldspring Project(en)

The human side of town planning, as exemplified in Baltimore, Maryland. The Coldspring Project concerned a proposed housing development for lower and upper income levels on a three hundred-acre site adjoining a wildlife sanctuary. The film records the differences aired in meetings of various interest groups that tried to modify the plan according to their views, and the compromise reached, based on plans drawn up by Montréal architect Moshe Safdie.

Drahý mistře(cs)

Bamboo Theatre(cn)

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

Le Corbusier, l'architecte du bonheur(fr)

Documentary devoted to the architectural and urban planning designs of Le Corbusier. The architect supports his in-depth reflection on the city and its necessary adaptation to modern life with plans, drawings and images, particularly Paris, whose revolutionary development dreamed of by Le Corbusier is exhibited here. Its first projects will remain at the stage of a model: the modernization plan for the city of Algiers. Some will be created by other architects: Ministry of Education in Rio de Janeiro, UN Palace in New York. From the post-war period in less than 10 years, Le Corbusier created large housing units in Marseille, Nantes, a chapel in Ronchamps, a factory in Saint-Dié, a town in Chandigarh in India. Through diagrams, the architect presents his theory of the "radiant city", the mathematical key modulor of his work as well as his project for reorganizing the countryside, industrial and urban cities into a grouping around a cooperative system.

Kisho Kurokawa From Metabolism to Symbiosis(en)

A portrait of the internationally acclaimed Japanese architect who employs Buddhist ideas and western modernism to achieve intercultural architecture.

Lewerentz Divine Darkness(sv)

A cultural-historical portrait of the renowned and enigmatic architect Sigurd Lewerentz, who rarely allowed himself to be captured on film.

Bardejov(sk)

Ralph Erskine(en)

The British architect based in Stockholm looks back on major projects of a long career inspired by European Modernism combined with his personal sensitivity to nature and community. Erskine is especially valued for his vital understanding of social interaction, exemplified in commissions for universities and housing complexes built from Scandinavia to Italy. The architect takes the camera on a tour of his buildings while offering revealing comments and interpretations.

Kamenná sláva(cs)

I will make up a song and sing it in a theatre with the night air above my head(en)

Egypt's only modernist architect Hassan Fathy (1900-1989) was committed to ecology and sustainability in his architecture. This film takes us with slow steps, in still images, to two villages he created. Fathy's historically grounded, forward-looking designs prompt us to reflect on the past as well as contemplate new solutions for the future.

Cathedrals(de)

The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.

Seedbed(en)

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)