The Last American Colony
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Maidan(uk)
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
No Other Land(ar)
This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.
Todavía Estamos Aquí(es)
We Are Still Here is a student-made documentary from the University of Puerto Rico, Mayagüez campus (UPRM) about the lives and experiences of the Peñolanos from Barrio Rucio and adjacent communities who have resisted generations of adversities due to their geographical location and at the hands of the Puerto Rican government. Centered on resistance and collective care among communities, this inaugural documentary produced by the Oral History Lab at UPRM and funded by the National Endowment for the Humanities showcases how community work by projects like Aula en la Montaña and organizations like Impacto Juventud GC Inc. demonstrate that strength lies in union and that true healing occurs through mutual accompaniment between community and volunteers.
Praia da Saudade(pt)
A documentary about climate change in Brazil, especially at Atafona Beach (in the Campos de Goytacazes region), which is being swallowed up by the sea. Narrated by Sonia Guajajara and Sidarta Ribeiro, the film deals with the genocide of the native people of Goytacazes.
Africa Blood and Guts(it)
A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.
Landfall(es)
Hurricane María abated, the news crews packed up and left Puerto Rico, and the interest of the international community turned elsewhere. What happened next?
History of Manawan - Part Two(cr)
Atikamekw elder Cézar Néwashish continues to recount the history of the community of Manawan that first began in The History of Manawan: Part One. As Christianity and European customs take deeper root in the community – abetted by residential schools and aggressive assimilationist government policies – seemingly irreversible changes to significant customs begin to unfold. Despite these struggles, the people carry on. This short is part of the Manawan series directed by Alanis Obomsawin.
Louis Theroux: The Settlers(en)
14 years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.
Steal This Film II(en)
These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?
Karl Marx und seine Erben(de)
Over the past hundred years, dramatic social upheavals have taken place in the name of Karl Marx's theories. In Western Europe, the student movement of 1968 and the Eurocommunists were inspired. And in recent times, the thinker has experienced a renaissance.
Liberty in a Soup(en)
Every New Year, and in celebration of their Independence, Haitian families gather together to feast in honor of a line of ancestors that fought for their freedom. The centerpiece of the festivity is the joumou soup—a traditional soup dating back centuries ago. The joumou soup is a concretization of war and victory, oppression and emancipation, and the deeply rooted celebratory traditions of the Haitian culture.
Those Who Come, Will Hear(iu)
The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
Pedro Albizu Campos: Un hombre... un patriota...(es)
Short documentary about the life of Dr. Pedro Albizu Campos.
Scenes For A Revolution(en)
The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.
¡Las Sandinistas!(en)
¡Las Sandinistas! uncovers the disappearing stories of women who shattered barriers to lead combat and social reform during Nicaragua’s 1979 Sandinista Revolution, and who continue to lead Nicaragua’s current struggle for democracy and equality.
A Bridge at the Edge of the World(tr)
Year 1969 - in Turkey. 60s youth were living the most excited days. There was a great effort to make a bridge in Istanbul, on the Bosphorus. Meanwhile, on the eastern border of Turkey, in a Kurdish city between the borders of Iran and Iraq that is left to its destiny, in Hakkari, Zap River was taking lives since there were no passage on it.
Paredes Pintadas da Revolução Portuguesa(pt)
Following the Revolution of April 25, 1974, the walls of the city of Lisbon became a means of celebrating and transmitting revolutionary ideals and slogans. The text by painter António Domingues praises this plastic work initiated by the Plastic Artists Cell of the Portuguese Communist Party.
Nicaragua Part 1: Voyages(en)
Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
Nicaragua Part 3: In Their Time(en)
Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.