Shopper in Department Store
Mr. Lacs's Secretary
Mme. Giffard
Singer
Hat Check Girl
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
Mr. Hulot is the head designer of the Altra Automotive Co. His latest invention is a newfangled camper car loaded with outrageous extra features. Along with the company's manager and publicity model, Hulot sets out from Paris with the intention of debuting the car at the annual auto show in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.
On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.
A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.
After amusements working in a restaurant, Charlie uses his lunch break to go roller skating.
The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.
Alex is a disgruntled waiter at a snobby exclusive restaurant who falls on hard times. Forced to deal with the contempt and disgust of the upper class, Alex & cohorts attempt to go on a rampage. Meanwhile, General Karprov and Spider plot to involve the inept anarchists into their plans to derail the prime-minister-to-be's campaign.
When a young woman investigates her town's Nazi past, the community turns against her.
The scene is the restless Paris of the interwar years where an attractive and ambitious woman successfully makes her way in a world previously reserved for men: that of high finance. Originating from a humble background, she quickly becomes popular with small savers by offering them outstanding interest rates. Extremely popular, she makes no secret of her taste for the good things in life and her homosexual affairs. They will cost her dearly...
When North Korean ruler Kim Jong-il orchestrates a global terrorist plot, it's up to the heavily armed, highly specialized Team America unit to stop his dastardly scheme. The group, which has recruited troubled Broadway actor Gary Johnston, not only has to face off against Jong-il, but they must also contend with the Film Actors Guild, a cadre of Hollywood liberals at odds with Team America's "policing the world" tactics.
Here we find a group of misfits who've given up on humanity and have decided to dwell below the pavement. The group has its own hierarchy, of course, and soon the conditions that drove them underground begin to manifest themselves without the influences of the Outside World.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.
World famous pop group the Spice Girls zip around London in their luxurious double decker tour bus having various adventures and performing for their fans.
Italian Francesco ( Mario Adorf ) runs a restaurant in Cologne , partnership is the brewer Zach ( Willy Millowitsch ) . Francesco has problems : a " Godfather" makes Zach an offer he can not refuse , the wedding between Francesco's daughter and Zach son bursts , and his wife threatened behind his affair to come up with kiosk owner Hilde , which lasts at least 18 or older to ...
Down-on-their luck brothers, Lars and Ernie Smuntz, aren't happy with the crumbling old mansion they inherit... until they discover the estate is worth millions. Before they can cash in, they have to rid the house of its single, stubborn occupant—a tiny and tenacious mouse.
Two young people's bond leads to marital infidelity and ultimately crime. Fanny and Jean have everything of an ideal couple: fulfilled in their professional life, they live in a magnificent apartment in the beautiful districts of Paris and seem to be in love as on the first day. But when Fanny crosses, by chance, Alain, a former high school friend, she is immediately capsized. They see each other again very quickly and get closer and closer.
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
Jour de Fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Influenced by too much wine and a newsreel account of rapid transportation methods used by the United States postal system, he goes to hilarious lengths to speed the delivery of mail while aboard his bicycle.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
Mr. Hulot is the head designer of the Altra Automotive Co. His latest invention is a newfangled camper car loaded with outrageous extra features. Along with the company's manager and publicity model, Hulot sets out from Paris with the intention of debuting the car at the annual auto show in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.
Rosario Castellanos is an introverted university student who doesn't seem to belong to her time. In the early 1950s in Mexico City, she is fighting to have voice heard in a society run by men. She is about to become one of the biggest female writers in Mexican literature, but her tumultuous love story with Ricardo Guerra will manifest her fragility and contradictions. At the peak of her career and her marriage, she will ignite a discussion that will mark a turning point in her life.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
The travels in Italy of director Andrei Tarkovsky in preparation for the making of his film Nostalghia.
A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions of love, leading her further towards Paris and the country wilderness.
Follow-up to the TV trilogy “Heimat”, this time for cinemas, set again in the fictional village Schabbach in the Hunsrück region of Rhineland-Palatinate.
Jacques Tati teaches an acting class about the subtleties of certain types of people to a group of eager (but not very talented) students.
Charlie's ex-wife disappears, and he goes to where she grew up--a rural town in the midwest--to look for her. But, surprisingly, nobody knows about her or any of her many relatives, the Newmans. He meets aliens; but when he contacts the FBI, they don't believe him. He tells his story to a tabloid; and suddenly, he is chased by the aliens.
The setting is a city block during a sweltering summer, where the residents serve as representatives of the not-very-idealized American melting pot. There is idle chitchat, gossip, jealousy, racism, adultery, and suddenly but not unexpectedly, a murder.
KAFKA'S THE BURROW tells the story of a man's "metamorphosis" (as Kafka would put it) in a rapidly changing and increasingly isolated world. A man (Axel Prahl), who has seemingly achieved everything, ensconces himself in his burrow, a fortress-like apartment complex. But no matter how hard he tries to keep the outside world at a distance, he gets more and more entangled in his own web of fear and paranoia: those outside know he is there, they want him, they want his wealth, and they are inevitably going to get him ...
A young man chases his dream of becoming a pro cyclist and is met with challenges.
For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.
In 1920s Taiwan, Jou, a controversial woman with a tragic past, seeks to change her life after falling for a man named Che. Meanwhile, a man named Wei seeks to buy the freedom of Fumiko, a dying young woman.
A seemingly run-of-the-mill corporate salaryman leads a double life as a vicious criminal by night. In a delicious scheme of payback, he seeks to dominate the corporation that employs him by day.