Where My Heart Beats
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Immediately after the US pullout from Afghanistan, Taliban forces occupied the Hollywood Gate complex, which is claimed to be a former CIA base in Kabul.
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Unfolding over 18 monumental days in August 2021, this deeply immersive and emotional documentary combines never-before-seen archival footage from those on the ground at the airport with exclusive interviews with people who were there throughout the period, including Afghan citizens attempting to flee, U.S. Marines tasked with managing the evacuation, and Taliban commanders and fighters who had recently taken the city.
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Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.
Restrepo(en)
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
Three Songs for Benazir(ps)
The story of Shaista, a young man who—newly married to Benazir and living in a camp for displaced persons in Kabul—struggles to balance his dreams of being the first from his tribe to join the Afghan National Army with the responsibilities of starting a family. Even as Shaista’s love for Benazir is palpable, the choices he must make to build a life with her have profound consequences.
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An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
Traces: The Kabul Museum 1988(ja)
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
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Riverboom(fr)
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The Forbidden Reel(en)
According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.
The Last Days of Osama Bin Laden(en)
After the United States mounted a covert mission to eliminate America's number-one terrorist target, celebration turned to mounting questions. Now, Peter Bergen obtains rare access to interview former CIA agents, Navy Seal operatives, and a Black Hawk pilot who reveal how the United States gathered the intelligence needed to pull off the surprise attack. He'll talk to White House and Pakistani intelligence officials, as well as neighbors of the Pakistani compound and eyewitnesses to the raid.
Broken Token(en)
A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”
Out of the Ashes(en)
Against a backdrop of war and poverty, Out of the Ashes, traces the extraordinary journey of a team of young, Afghan men, as they chase a seemingly impossible dream, shedding new light on a nation beyond that of burqas, bombs, drugs and devastation. This feature-length documentary follows the Afghan cricket team in their quest against the odds to qualify for the 2011 World Cup, premiering at the Edinburgh International Film Festival on 17th June. Backed by BBC Storyville and Oscar-winning director and cricket fan, Sam Mendes, 'Out of the Ashes' follows the squad over two years as they go from playing in their shalwar-kameezes on rubble pitches to batting their way around the globe and up the international league tables.
Writing Hawa(fa)
Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.
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