THE ARCHAEOLOGY OF FUTURE: A FRAGMENT

Boys(zh)

Due to his history of theft in the past, Lin Kuan is falsely accused of stealing from his high school classmate. To prove his innocence, Lin enlists his friend Xiao Bing to make a plan that will clear his name. However, heir seemingly perfect plan takes a turn that pushes Lin to a dangerous edge.

Umbrella(zh)

Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.

Shattered(zh)

A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”

Way of Fortune(zh)

"Mazu" or "The Sea God" has been the most important religious belief of ordinary people in my hometown for four hundred years. Along the coast of China and even in the Nanyang region, there is at least one temple dedicated to Mazu in various seaside cities-this geographical and historical distribution coincides with the contemporary economic or industrial area of Chinese society. It is frustrating that rapid economic development has led to global warming. The factories located on the coast of southern China from all over the world will eventually cause flooding and inundate these temples dedicated to Mazu. This is indeed a very ironic discovery for our civilization, "We", not only Chinese or all human beings, now or in the past, how can we Chinese avoid this upcoming tragedy?

WHO IS MY LORD(zh)

The story of a girl attempted suicide for love and finally returned to religion.

MAGUEY(zh)

This story is about the group's marvellous life without money.The film tell this story from six points of view: the screenwriter, the recording, the photography, the art, the performer and the director.

CYPRIDINA(zh)

This film is about the story of the main character and his younger brother, the younger brother saw the comic book of the main character, in his brain, he had a fight of animal chess related to memory. The younger brother belongs to the green party, the elder brother belongs to the orange party, at last the elder brother lost and the younger brother won in his consciousness, the younger brother took the elder brother to see the future elder brother in the heart of the younger brother.

Twenty Two(zh)

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

The Iron Ministry(zh)

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

China. The Arts – The People(de)

China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.

Doctor Ma's Country Clinic(zh)

"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"

Call If You Need Me(zh)

Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.

The Bride(zh)

Chinese film directed by Zhang Ming,

Trashy Treasure(zh)

The term "garbage" is relative, but most people's definition of garbage is absolute and rigid, and the definition of a person like "garbage man" is also relative. Compared to the ostrich that disappears when humans avoid garbage and not see psychological. With a lively and lovely tone, the film brings out the special views of how the two protagonists look at trash when they walk between the cities, and then connects the delicate relationship between their love for trash and their families.

The Sea Within(zh)

Fishermen couple Ah Shing and Mei-wah, having lived from boat to shore, stayed together for most of their lives. After their son grew up, they have different visions towards the rest of their days. Ah Shing insists on fishing amid the decline of the local fishing industry. Mei-wah works as a factory worker and wishes for a more stable life. Even when there are subtle and profound changes in their relationships due to the different views, their affections for each other never stopped and they still support each other. This story is based on the real-life experience of the director's parents, and they play their own character in the film.

Romance in Factory(zh)

Anti-Japanese War Veteran(zh)

A veteran, Mr. Long’s life was full of legend. Yet, he lived his life in silence and never told others about his experience in the battlefield. There were many scars on his body and he got three shots only in the Songshan Battle. One of them went through between the bones and the scar had been apparently seen so far.

The Love Dog(zh)

Originally conceived as the film for government propaganda but couldn't pass the censorship. Five punks found Dong Jianguo, a millionaire wearing the dog chain being trapped in the trunk. They kidnapped the millionaire and started to konw the love story between Dong Jianguo and a woman called Bobo.

Mama Rainbow(zh)

For Chinese parents, finding out that their kid is gay usually presents a major tragedy, with the big majority utterly unable to accept the homosexuality of their son or daughter. However, during recent years a fresh rainbow wind has been blowing over the Chinese mainland: a pioneer generation of Chinese parents has been stepping up and speaking out on their love for their gay kids. This documentary features 6 mothers from all over China, who talk openly and freely about their experiences with their homosexual children. With their love, they are giving a whole new definition to Chinese-style family bonds.

Papa Rainbow(zh)

In China, most families have difficulties facing their lesbian, gay, bisexual and/or transgender (LGBT) children. They have to contend with common social beliefs that homosexuality is shameful, abnormal, a perverted condition caused by deviant family relationships. Many parents see their kids as their property, and fathers often assert their authority to ensure that no harm comes to the family reputation. The documentary 'Papa Rainbow' features six Chinese fathers who talk openly and freely about their experiences with their LGBT children. Speaking out against discrimination and stigma, they redefine what it means to protect a household. They fully embrace their kids for who they are, and become pioneer activists fighting for an equal and diverse society.