Anna Magnani - Recitare la verità

Qajymuqan(kk)

The film will tell about the most striking events in the biography of the Kazakh wrestler. The plot line is based not only on Kazhymukan's sporting successes. Love, money, fame, poverty, batyr had to go through all this in his life. Kazhymukan Munaitpasov is a world champion in classical wrestling among professionals, the first Kazakh to become a champion in French wrestling, a multiple winner of world, regional, Russian, as well as all-Union championships in classical wrestling among heavyweights.

Wingless(bg)

The movie is inspired by the true life story of Bulgarian paralympic ‘Long jump’ triple world champion Mihail Hristov. The film follows Mihail from the moment he loses both his arms in an electric current incident and makes the life-changing decision of becoming a professional athlete as he goes through the catharsis of deciding to start a new life without arms. He goes through a number of difficulties, both on the sports field and in his personal relationships with his parents, his coach, the girl he falls in love with but most of all, the difficulty of accepting what has happened to him. The script traces Mihail's difficult fate from the accident that left him without arms to becoming a triple long jump world champion, inventor of a new type of prosthetics and a motivational speaker.

Anna(it)

On March 21, 1956, Anna Magnani won the Academy Award for Best Actress in a Leading Role for The Rose Tattoo. She spends the night waiting for the news to arrive wandering the alleys and squares of Rome, among the people who love her and the memories that inhabit her heart. With her, there is a young girl who will become her agent: Carol Levi. Dawn brings her victory, but it is a very brief one. The unpredictable turn of fate pushes her aside at the moment of her greatest splendour. The film thus narrates the human-side of Anna's story, an impetuous woman, hilarious in her crazy moments, the world of cinema that revolves around her, Cinecittà, her quarrels with directors, her being betrayed. Above everything there's Roberto Rossellini, always present in her mind. "An imprint in the heart that lives on even when time has erased everything else". He will return and won't leave her. Ever again.

Tre donne - 1943: Un incontro(en)

This vehicle for the great actress Anna Magnani was one of the four made for Italian television and shown in 1971-1972 at the end of her career. The other three were "La sciantosa," "Correva l'anno di grazia 1870," and "L'automobile" and were all directed by Alfredo Giannetti.

The Immediate Present with Alex Katz(en)

Filmed at his Maine studio nestled in New England’s scenic landscapes, legendary artist Alex Katz reflects on his relationship to light and the sensations that his painting evokes.

Afghánistán bez obalu(cs)

A Significant Name(en)

“A Significant Name” tells the story of Banban’s Chinese name. Born in Texas to Taiwanese immigrant parents, Banban was given an identifiable female American name - now their dead name - as a way to assimilate into western culture. But as their sense of who they are evolves, so does their name.

Abiturienti(cs)

Haunted: Indiana State Sanatorium(en)

Three paranormal investigators enter what is said to be the most haunted location in the Midwest. Over the last 100 years, the property has housed thousands of deaths, murder, suicide, and countless acts of foul play.

1966: Who Stole The World Cup?(en)

From South London spivs to the upper reaches of the 1960s society, this extraordinary true story reveals who stole the World Cup trophy in the lead-up to England's triumph in 1966.

Lebende Photographien auf einem laufenden Bande(de)

Documentary about the film pioneer Guido Seeber.

Risky Roadz: 0121(en)

After a ten year sabbatical, legendary Grime filmmaker; Roony 'Risky Roadz' Keefe, makes a return to the world of documentary to uncover the business infrastructure of the fast emerging music scene in Birmingham, and, how that is being taken to a global platform.

Hitlers Traum von Micky Maus - Zeichentrick unterm Hakenkreuz(de)

The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.

Classe moyenne, les révoltés(fr)

Vanessa, Pierre, and Anne-Lise belong to the lower middle class. In 2018, they joined the "yellow vest" movement and became friends at the roundabouts. They share with us their hopes, fears, and desire to transform society.

Last Summer In Sneinton(en)

Following a day in the life of Sneinton Market in Nottingham prior to a planned redevelopment.

Sommer '39(de)

In the summer of 1939, people enjoyed the good weather, ignoring politics and pessimistic predictions. Images of everyday life that was about to change dramatically in a Europe in turmoil.

La métaphysique du berger(fr)

The Making of the Lion King(en)

A behind-the-scenes look at the making of The Lion King.

Qui êtes-vous Dorothée Blanck ?(fr)

A film about Dorothée Blanck.

The Intensive Life Unit(cs)

Even though doctors Ondřej and Kateřina look after their patients to the best of their ability, they can’t prevent their death. As heads of palliative care at Prague’s General University Hospital they face the inevitability of the end on a daily basis. Yet what perhaps makes their job harder is the myriad options now open to them to prolong human life – and this at a time when death has become a social taboo. Betraying her special brand of empathy, documentarist Adéla Komrzý demonstrates that, while there’s no good or bad way to die, there’s always a means to improve patients’ quality of life.