A 2004 French documentary on rhythm games
2004-05-20
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The first documentary film ever made about psytrance. It tells the story of “Drugless Festival”, better remembered in Israel as “Huga Festival” that took place in Ganey Huga, a water park in the North of Israel, for 3 days, back in the summer of 1997.
The golden age of arcades may have been in the 80s, but decades later arcades are back and bigger than ever in the arcade bar. Arcade bars have been spreading across the globe; transporting old school gamers back to their childhood while bringing in a new generation of players. It's Cheers for nerds, a place where every body knows your game. "Token Taverns" is a documentary exploring the growth of arcade bars and what this growing trend is all about. "Token Taverns" centers on 3 arcade bars and their owners over 2 years as they try to thrive and survive through a global pandemic.
The Bauls of West Bengal are nomad musicians who practice a traditional form of concert challenged by the increasing modernization of India. The term "Fous" here refers to those inspired and wandering musicians of Bengal known as Baül. The word Baül is derived from the Sanskrit word "vatul," which means "mad" in the sense that it commonly connotes a more or less frenetic behavior in French. The Baül are peculiar individuals, particularly in their mannerisms, customs, and practices. Although they may belong to either the Hindu or Muslim religion, the Baül refuse to be guided by any social or religious conventions. Freedom of spirit is their only guide. They thus move against the tide of habits, preconceived notions, and general theories. "Le chant des fous" (The Song of the Mad) is a film made by Georges Luneau.
Charlie Brooker sets his caustic sights on video games. Expect acerbic comment as he looks at the various genres, how they have changed since their early conception and how the media represents games and gamers. Features interviews with Dara O Briain, sitcom scribe Graham Linehan and Rab and Ryan from Consolevania.
Mario is the guitarist of "Duck Fizz", a rock band from La Paz B.C.S. who seeks to achieve success through his own art. However, getting it means having to leave your city for a new home. A decision that modifies their entire environment and lifestyle, but that will also help them to find more opportunities to fulfill his biggest dream, live from music.
This short film is made for the "Chopin-Pletnev" disc which marked Mikhail Pletnev's debut as a pianist on Deutsche Grammophon. In the film, we witness Mr. Pletnev's journey, starting from him on his way to studio, through his performance of Chopin's Etude Op. 25 No. 7 in C sharp minor "The Cello" and the process afterwards. One is struck repeatedly by Pletnev's crystalline arpeggiations, the velocity of his passage work, his singing tone, his rhythmic suppleness, and, above all, the grandeur of his sound.
How Cardi B became a household name and a legend in her own time.
In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.
Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.
Interviews and performance footage are used to provide an overview of the women's music scene.
An Evening with the Dixie Chicks is a 2002 live music documentary featuring the Dixie Chicks and directed by Joel Gallen. It was filmed over two nights at Hollywood’s Kodak Theatre and features songs from the band's albums Home, Fly and Wide Open Spaces.
Experience the energy from one of Queen + Adam Lambert's TEN sold out 2022 concerts at London’s O2 Arena in a live concert film delivered digitally to your home. The band will also be participating in a LIVE Q&A where they will answer fan-submitted questions from backstage at one of the final Rhapsody Tour concerts to introduce the show.
Tim Rogers and Robert Pelloni attempt to get into E3 without passes.
Two-part docuseries capturing the group's iconic 2024 performances at I-Days Milano, BST Hyde Park, and Lollapalooza Chicago, highlighting their preparation, energy, and global impact.
A documentary showing the seven-year history of MAMAMOO, one of South Korea's most famous and powerful girl groups, from their debut to global triumph, culminating in their world tour.
Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as The Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process.
Concert and documentary celebrating the 1st Anniversary of Moscow’s Zaryadye Hall
Nantali Indongo, the rapper of the group Nomadic Massive, has long refrained from using the word Bitch in the lyrics of the songs she sings. As an Afro-descendant and mother, she considers that this word’s purpose has always been to dehumanize the Black woman. However, at the junction of the Black Lives Matter and #MeToo movements, she decided for the f irst time to use the b-word as a cry from the heart in her song Time . Aware of the complexity posed by the trivialization of this word, she embarked on a “word movie” across the Americas to understand the origins of the word and its many connotations over time. Her journey allowed her to give a voice larger- than-life to Black women, so that they could themselves express their opinions on the word bitch.