Philippe-Alain Michaud, le réel traversé par la fiction

Les dents de la mer: Un succès monstre(fr)

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Indiana Jones: The Search for the Lost Golden Age(fr)

Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.

Laerte-se(pt)

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Electronic Poem(fr)

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

No Palco(pt)

This Is Not a Dream(en)

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

The Virginia Tripping Film(en)

Carlo McCormick was invited to curate an East Village Art show at a gallery in Richmond, Virginia. Filmmaker Tessa Hughes-Freeland took filmic evidence of the infamous exhibition that featured downtown artists such as David Wojnarowicz, Marilyn Minter, Luis Frangella and more painting naughty murals while on acid.

Town Destroyer(en)

Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.

Visions Cinema: Film as a Way of Life: Hong Kong Cinema - A Report by Tony Rayns(en)

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

James Ensor: Demons Teasing Me(en)

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.

Elliott Erwitt - Silence Sounds Good(en)

Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.

Rafael França: obra como testamento(pt)

The Genius of Leonardo Da Vinci(en)

Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.

High Noon on the Waterfront(en)

An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.

Being Kae Tempest(en)

Poet, rapper, playwright and recording artist Kae Tempest is one of the most viscerally exciting artists working in Britain today. They are the youngest ever recipient of the prestigious Ted Hughes prize and have been nominated for both the Brit and Mercury music awards. Tempest has always found support and respect within the queer art scenes, a place close to their heart. In July 2020, they came out as non-binary, announcing that they would publish and perform under the name Kae. This film delves deep into their creative process and gains rare, intimate insights into Kae’s life throughout a period of profound personal and artistic change.

The 'Frankenstein' Files: How Hollywood Made a Monster(en)

The history of Frankenstein's journey from novel to stage to screen to icon.

The Original Richard McMahan(en)

The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.

Les chiens-loups(fr)

The Story Won't Die(en)

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

Casablanca revisitada(es)

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.