Ririko Seko (Kuroki Haru), who works in the accounting department of a major publishing company, Kusunoki Publishing, is not very good at understanding other people's feelings or reading the atmosphere, but she has a strong desire to learn about the world and other people. In the accounting department, she is also known as Cerberus, the watchdog of hell, because of her strict checking skills.
Five-day-a-week syndicated revival of one of Goodson-Todman's most durable and longest-lived formats: A celebrity panel determines which of three contestants is the actual person associated with a given story.
Lively sports commentary with a rotating cast of columnists and commentators.
The Tithes is a three-part Warhammer animation anthology. It’s composed of three self-contained stories that each shine a different light on an interesting and little-explored slice of this vast, dystopian setting: The Imperial Tithe.
What if the one you love were destined to lose his eyesight in three months? What would you like him to see last? If you were him, what would you want to see last? Shiki Tomokawa is a new pediatrician who is enjoying her life. She falls in love with Shunsuke, a cameraman, who is destined to lose his eyesight in a couple of months. How will Shiki react when she finds out Shunsuke's destiny? "To the One I Love" takes place in two contrasting cities?in the hustle and bustle of Tokyo, and in the peaceful city of Nagasaki, and depicts both the joys and sadness of life, and the interaction with family and friends.
A yellow weasel and a nine-tailed fox take on human forms as beautiful ladies in order to seduce the king and persuade him to stop the killings against their kind. Towards the end of the Tang Dynasty, the imperial family's love for hunting has disrupted the lives of the fox spirit tribe that resides at the foot of Ma Li Mountain. Unwilling to bear it any longer, the tribe sends Qing Feng and Fei Yuan as envoys of peace. Unbeknownst to everyone, Qing Feng has received a secret mission to assassinate the emperor.
Content that allows you to hear what science, which shapes our world, tells us through the perspective of Tulgar Batu Alan is coming to your screens.
Enter the dramatic and dangerous world of Australia's oldest and riskiest pursuit – mining. A mismatched team strive to save a struggling but proud Australian mining company, and in doing so, must overcome their own prejudice and fears while facing life-threatening situations – not only for themselves but also for the workers they employ.
Aphrodite Jones goes behind the scenes of famous murder cases to uncover hidden secrets and new information to shed new light on these sensational stories.
A story about the life of Maximiliane Irene von Quindt based on a classic novel by Christine Bruckner .
The Generation Game was a British game show produced by the BBC in which four teams of two competed to win prizes. The programme was first broadcast in 1971 under the title Bruce Forsyth and the Generation Game and ran until 1982, and again from 1990 until 2002. The show was based on the Dutch TV show Een van de acht, "One of the Eight", the format devised in 1969 by Theo Uittenbogaard for VARA Television. Mrs. Mies Bouwman - a popular Dutch talk show host and presenter of the show - came up with the idea of the conveyor belt. She had seen it on a German programme and wanted to incorporate it into the show. Another antecedent for the gameshow was 'Sunday Night at the London Palladium' on ATV, which had a game called Beat the Clock, taken from an American gameshow. It featured married couples playing silly games within a certain time to win prize money. This was hosted by Bruce Forsyth from 1958, and he took the idea with him when he went over to the BBC. During the 1970s, gameshows became more popular and started to replace expensive variety shows. Creating new studio shows was cheaper than hiring a theatre and paying for long rehearsals and a large orchestra, and could secure a similar number of viewers. With less money for their own productions, a gameshow seemed the obvious idea for ITV. As a result many variety performers were recruited for gameshows. The BBC, suffering poor ratings, decided to make its own gameshow. Bill Cotton, the BBC's Head of Light Entertainment, believed that Bruce Forsyth was best for the job. For years, The Generation Game was one of the strong shows in the BBC's Saturday night line-up, and became the number one gameshow on British television during the 1970s, regularly gaining over 21 million viewers. However, things were about to change. LWT, desperate to end the BBC's long-running ratings success on a Saturday night, offered Forsyth a chance to change channel to host The Big Night.
In a small northern Norwegian village, a group of children should learn by themselves in a chaos of love affairs, intrigue and explosions.