When an American filmmaker is commissioned to make a film for a Middle East Biennial on the theme of 'art as a subversive act,' his film is banned for blasphemy, he is asked to destroy every copy, and threatened with arrest.
Self
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Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.
The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.
While on a dangerous mission to recover the historic Judas Chalice, Flynn is saved by Simone. But when double-crossed by a respected professor and ambushed by a ruthless gang, Flynn realizes Simone's secret, his true mission and a shocking discovery are all lying within a decaying New Orleans crypt.
Teresa und Patricia are best friends. Despite the big differences between date-experienced Teresa and romantically predisposed single-mother Patricia, they have one thing in common: they have enough of bad dates and are sick of stupid dudes, bad surprises and broken hearts. When Teresa meets the neurotic programmer Anton, who is completely inexperienced in the field of romance, they come up with a genius business idea: together with the womanizer and start-up founder Paul, they develop an app with which potential dates can be categorized. In this manner, users can paint a picture of what they're getting themselves into. However, quite quickly they find out that people can't be easily fit into boxes and that matters of the heart shouldn't be left to an algorithm...
Home with their newly-formed family, happy parents Dan and Jody are haunted by sinister, paranormal activities. Determined to expel the insidious force, they install security cameras and discover their family is being stalked by an evil dead demon.
Fabio is in love with his colleague Linda, but she has never even seen him until he's mistaken for her boyfriend. Paolo and Mario leave for a luxurious vacation in Rio de Janeiro for Christmas, without knowing that their sons have booked a trip for the same low-cost destination and, for a problem of homonymy between fathers and sons, the two holidays are exchanged.
Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.
Searching for his brother, Ryota stows away on a boat belonging to a criminal alongside two other teenagers. The group shipwrecks on Letchi island and discover the Infant Island natives have been enslaved by a terrorist organization controlling a crustacean monster. Finding a sleeping Godzilla, they decide to awaken him to defeat the terrorists and liberate the natives.
The ambitious police officer Cruchot is transferred to St. Tropez. He's struggling with crimes such as persistent nude swimming, but even more with his teenage daughter, who's trying to impress her rich friends by telling them her father was a millionaire and owned a yacht in the harbor.
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…
On Christmas Eve, a little girl named Marie falls asleep and dreams herself into a fantastic world in which her toys become larger than life. She meets up with the Nutcracker Prince who takes her on a journey to his kingdom and defends her from the Mouse King.
Monsieur Bosquier, the owner of a private school, is far from pleased when his eldest son, Philippe, fails his end of year exams. He decides to send his wayward offspring to England to improve his English. In exchange, Philippe’s host, a wealthy whisky distiller, Mac Farrel, will send his daughter, Shirley, to live with the Bosquiers in France. However, Philippe has already decided to spend the summer holidays on a yacht with his friends, so he sends a fellow student, Michonnet, to England in his place. The deception is soon discovered but things go from bad to worse when Philippe and Shirley fall in love and fly to Scotland to get married...
Now that Frollo is gone, Quasimodo rings the bell with the help of his new friend and Esmeralda's and Phoebus' little son, Zephyr. But when Quasi stops by a traveling circus owned by evil magician Sarousch, he falls for Madellaine, Sarouch's assistant.
A womanizing lawyer follows his wife and son to a trip to Egypt in a last-ditch effort to make up for his infidelities. Also travelling to Egypt is a bumbling police chief who's desperate to keep his rebellious daughter from becoming a showgirl. The two meet during a Nile cruise. Calamity ensues.
A beautiful blonde joins a small group of men running an oil station in the Sahara Desert and starts the emotions soaring.
A great French restaurant's owner, Monsieur Septime, is thrust into intrigue and crime, when one of his famous guests disappears.
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
In the third installment of the Scary Movie franchise, news anchorwoman Cindy Campbell has to investigate mysterious crop circles and killing video tapes, and help the President stop an alien invasion in the process.
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.
Documentary film interviews leading Latinos on race, identity, and achievement.
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.
This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.