The Mine(2022)

Fist & Furious(ko)

Looking for a new interesting story, VJ reporter Guk-hyun is fascinated with a story of a former detective Gi-man, living a life with a blade in his head for certain reason. Guk-hyun convinces Gi-man to take him upon condition that he make a record of Gi-man's revenge on Tae-hwa, the head of drug cartel. While searching for Tae-hwa's whereabouts, they decide to head towards unknown Island where Tae-hwa is expected to be staying.

하나코리아(ko)

Apostle(ko)

In a small North Korean village near the border of China, there are believers who get together in an underground church, away from the eyes of the persecuting government. When the missionary from China, their only support route, is cut off, things begin to get very tense. Chulho, who had been arrested along with his wife, returns. After losing his wife in the interrogations, Chulho had been released and unseen for 2 years before coming back to his home, claiming that he had been commanded by God to lead the believers across the border and into South Korea. The brothers wonder if Chulho is trustworthy, and whether it is the right thing to do to leave their homeland.

The Namesake(ko)

One Summer Night(ko)

Caught in forbidden love, Yong Joon defects from North Korea, leaving Jae Sung behind. Years later, a reunion forces him to choose between past and present.

In Our Prime(ko)

Ji-woo, an outcast at a prestigious private school, meets Hak-sung, the school janitor who is actually a mathematical genius who defected from North Korea.

Crossing(ko)

Yong-soo is an ex-soccer player who lives in a small coal-mine village in North Korea with his wife and young son, Joon. Although living in extreme poverty like many other families in North Korea, the family is happy just to be with each other. Then one day, Yong-soo's pregnant wife becomes critically ill. Let alone medicine, Yong-soo can't even find food for her in North Korea. So he decides to secretly cross the border to China hoping to find the medicine for his wife.

Ryeohaeng(ko)

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

My Name Is Loh Kiwan(ko)

After defecting from North Korea, Loh Kiwan struggles to obtain refugee status in Belgium, where he encounters a dejected woman who has lost all hope.

Until We Meet(ko)

Sunshine(ko)

Sul-ji, exiled from North Korea 2 years ago, is cheerful lady who is working at flower shop. Using her experience that drew propaganda paintings in North Korea, she draws wall-painting for part-timer. Desperate Broadcast producer Shin-woong, discovers her and trying to make hit documentary about her, but she hesitates minding her families still in North. Eventually she decides to go in under the condition that she hides her identity.

The Rainy Season(ko)

A documentary about joys, sorrows, ups, and downs experienced by the civil society activist, Lee Eun Taek.

A Mother Youngsoon(ko)

Youngsoon defected from North Korea in 2007. Her husband killed himself and her eldest son is in North Korea. She does her best for her little son who came with her. But he thinks that his mother only loved his big brother in the North and resents her for having brought him to South Korea only to be stigamatised as North Korean defector. Youngsoon, who was born as the daughter of a South Korean prisoner of war detained in North Korea, was always poor and her only hope was her eldest son with exceptional talents. To her, her little son is more work than hope.

Shadow Flowers(ko)

Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.​

Poongsan(ko)

Poongsan has the unenviable - and death-defying - job of delivering messages across the North and South Korean border to separated families. When South Korean government agents ask him to smuggle in In-ok, the lover of a high-ranking North Korean defector, into the South, the damsel and rescuer fall in love instead.

The Journals of Musan(ko)

North Korean defector Seung-chul is a refugee living on the harsh edges of Seoul. Bewildered by exploitative employers and cynical urbanites, he’s no good for business. A powerful realism underscores this prize-winning feature debut about the struggle to survive in a strange new world.

3670(ko)

Despite the close bonds among fellow defectors, Cheol-jun—a young North Korean defector—felt isolated while hiding his gay identity. Finally, he takes his first step into South Korea's vibrant gay community and forms close ties after meeting Yeong-jun at a casual gathering. Yet, a trivial misunderstanding shatters these fragile bonds.

Dreamer(ko)

The North Korean defector, who has just settled in the South, is confused by his brother who was separated from the defection process. Ji-hyeok, a Chinese restaurant deliveryman who is having a hard time finding a job due to his criminal record, wants to leave Korea as soon as possible. To raise money for his defector brother, Ji-hyeok, who is involved in a dangerous drug-transport errand, suggests intercepting billions of won of methamphetamine.

I Am Sun Mu(ko)

Operating under a pseudonym which means 'no boundaries' - North Korean defector Sun Mu creates political pop art based on his life, homeland, and hope for a future united Korea. His hidden identity is nearly compromised when a massive historical exhibit in Beijing is shuttered by Chinese and North Korean authorities.

Why I Left Both Koreas(ko)

This documentary sheds light on the lives of North Korean defectors in Europe. North Korean defectors who crossed the ideological boundary over to South Korea are often called forth to bear witness to the plight of North Korean society. Rather than creating a discourse about the recovery of divided culture, the focus has been very much on the conflict of ideology. The increasing number of North Korean defectors is a sign of victory. However, the film testifies that a growing number of people are leaving both Koreas behind.