Marble and Concrete(2022)

Sam and Colby: The Legends of the Paranormal(en)

Paranormal investigators Sam and Colby have hunted ghosts at the world's most iconic haunted locations. Now they set out to investigate a mysterious desert ranch famous for ghosts, UFOs, and terrifying monsters lurking in the dark.

Prosa y verso de una identidad(es)

A group of writers from Hidalgo get together to generate their works and create a community around literature.

Maya, la tigresse du Maharashtra(fr)

Blow-Ups of 1947(en)

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1947.

Translating History to Screen(en)

Translating History to Screen (2008) Video Short - 10 June 2008 (USA)

Fallas 37: el arte en guerra(es)

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

Walls(en)

A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.

Giger's Alien(en)

Documentary about Giger's work for the movie Alien (1979).

Hammer: Heroes, Legends and Monsters(en)

A look at Hammer’s progression from a back office in London’s Regent Street to its iconic status within the horror film genre. The company, started by comedian and businessman William Hinds in 1934, made films such as The Curse of Frankenstein, Dracula, and The Quatermass Xperiment during the period for which it is best known, making stars out of the likes of Christopher Lee and Peter Cushing.

Stranger in the City(en)

Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.

The Track Movie(en)

A team of misfit runners from New Jersey share fast and fun times as they navigate through their pandemic season, chasing the elusive sectional title.

OK, Joe !(fr)

In autumn 1944, during the Liberation of Brittany, writer Louis Guilloux worked as an interpreter for the American army. He was a privileged witness to some little-known dramatic aspects of the Liberation: the rapes and murders committed by GIs on French civilians. He also discovered the racism of American military justice. This experience haunted the novelist for thirty years. In 1976, he recounted it in a short novel, "Ok, Joe", which went unnoticed. This film compares his account with the memories of the last witnesses to these forgotten crimes and their punishments.

Birdman(en)

A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

Linee d'ombra(it)

African Adventure: Safari in the Okavango(en)

6-18-67(en)

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

A Day in the Life of French Cinema(fr)

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

Somos animales(es)

Tania and Cocteau, a cat that comes from the not too distant future, tell the story of the passage of animals through the world and their relationship with humans.

Hold on Tight(en)

A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.

Headdress(en)

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.