Sauce(1974)

Live!(en)

A mockumentary following an ambitious TV network executive trying to produce a controversial reality show where contestants play Russian Roulette.

Black and White Tapes(en)

Black and White Tapes derive from a series of performances Paul McCarthy undertook in his Los Angeles studio from 1970 to 1975. Conceived for the camera and performed alone or with only a few people present, these short performances use video to articulate both monitor and studio space.

Rumination(zh)

An exploration of the Cultural Revolution that depicts both its chaotic later years – through the story of a squad of Red Army guards running amok in the countryside – and its continuing legacy in today’s China.

moony's WARNING HIGH CUBE(en)

moony and Joey Brodnax present WARNING HIGH CUBE - a film accompanying the release of moony’s debut album of the same name. After amassing an impressive collection of genre-spanning EPs scouring depths of emotion, pain, anger, relief, and hope, burgeoning Nashville-based indie alternative rocker Seth Findley (AKA moony) is at full form, ready to deliver his debut LP to the world. WARNING HIGH CUBE is a bold full-throttle whirlwind of a hero’s journey, serving as moony’s definitive allegory of his life so far, exploring swirling ideas of existentialism, nature, animals, spirituality, love, friendship, and the threads that hold humanity together. moony & Joey set out to create a unique audio/visual pairing for the album, unlike anything they’d seen or felt. The result is 50 uncanny, undefinable, and sometimes uncomfortable minutes. A new world ripe for the picking, WARNING HIGH CUBE and its accompanying film are here to save mankind.

Paul McCarthy: Destruction of the Body(en)

Drawing on the idiom and imagery of the consumer culture he grew up in, video artist Paul McCarthy distorts and mutates the familiar into the disturbing and grotesque as fairy tale narratives and foods are transformed into tableaus of abuse and violation.

Pussy Versus Putin(en)

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.

She's All That(en)

High school hotshot Zach Siler is the envy of his peers. But his popularity declines sharply when his cheerleader girlfriend, Taylor, leaves him for sleazy reality-television star Brock Hudson. Desperate to revive his fading reputation, Siler agrees to a seemingly impossible challenge. He has six weeks to gain the trust of nerdy outcast Laney Boggs -- and help her to become the school's next prom queen.

Plena Rondo(en)

Mrs. Peanut Visits New York(en)

A video portrait of the legendary late performance artist, fashion designer and nightlife icon Leigh Bowery. Atlas's camera follows Bowery as he flamboyantly strolls through Manhattan's Meatpacking District, outrageously costumed in a self-made reinterpretation of "Mr. Peanut," the Planter's Peanut mascot. Bowery's molded full-bodysuit, accessorized with a floral print dress, top hat and transparent-heeled platform shoes, draws stares from onlookers. Peanut-related pop songs accompany him on the soundtrack.

Sexandroïde(fr)

Welcome to the temple of fear and eroticism, as a monstrous madman slowly mutilates poor young girls! See the sensual act of voodoo performed on an innocent bar patron! View the lustful bite of a vampire!

16 Millimeter Earrings(en)

A re-creation for film of Meredith Monk's seminal dance/theater work incorporating film and original music, voice, guitar, and audiotapes. Originally performed in 1966, Judson Memorial Church, New York.

This Is Not a Dream(en)

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Discovering Hamlet(en)

IN 1988, rising star Kenneth Branagh tackled the role of Shakespeare’s prince of Denmark for the first time in his professional career under the guidance of celebrated actor Derek Jacobi. Narrated by Patrick Stewart, this hour-long film documents how Kenneth Branagh and Derek Jacobi, two intelligent and passionate men, found new depths in Shakespeare’s classic drama, Hamlet. Filmmakers Mark Olshaker and Larry Klein follow the company through four weeks of rehearsals, from the first read-throughs to opening night.

The Ketchup Vampires II(en)

A tale of vegetarian vampires on this second direct to video release.

Himebauch(en)

Using faux archival footage and social media, Adam Himebauch, 38, has created the alter-ego of an artist who rose to fame in the 1970s.

Blue Man Group: The Complex Rock Tour Live(en)

Offbeat performance artists The Blue Man Group have finally been captured live on this disc that features concert footage, three full-length music videos and three songs from Blue Man Group's album, "The Complex." The live footage was filmed during Blue Man Group's successful and widely acclaimed August 2003 rock tour, where they wowed 9,000 fans in two sold-out concerts.

13/67: Sinus Beta(de)

Sinus Beta is almost a sort of teaching film about bodily behavior in different situations. The film also produces, through the heterogenic photographic materiality of the primary elements, a cross-section of the methods, used in capturing the body in a still photograph. (Mubi)

Marcel Duchamp: The Art of the Possible(en)

A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.

Meat Joy(en)

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Freeing The Body(en)

Marina Abramović Freeing the Body was performed at the Künstlerhaus Bethanien in Kreuzberg, where Abramović began dancing frantically to the sounds of a bongo player. During the early part of the performance, she still has plenty of energy, and she rocks her hips and upper body vigorously to and fro. Over the course of the six hours, exhaustion sets in. Abramović falls back on a single monotonous movement, now and then visibly exerting herself in an attempt to reivigorate her body. After a final convulsive movement, in which she tries to give her all for one last time, she allows herself to collapse onto the floor and remains lying there, completely exhausted. During the performance, Abramović's head was covered by a black scarf. In this way, the audience was not distracted by Abramović as a person or personality, and attention can be focused on the body, which, due to its anonymity, has become an abstraction.