Games You Can’t Win explores “empathy” gaming, a new video game movement in which developers are sharing some of their most intimate or traumatic personal experiences through artful, documentary-style video games. Using a combination of intimate verité footage and video capture from the games, the short film tells the stories of three developer and the personal experiences that inspired their game.
Self
Self
Self
Self
Matt Walsh's controversial doc challenges radical gender ideology through provocative interviews and humor.
The Cancer Documentary addresses the worldwide cancer epidemic head-on, exploring an aspect of cancer that is often overlooked, its connection with diet and lifestyle.
I meet Herbert in the same week I get diagnosed with cancer. We fall madly in love and plan to stay together for the rest of our lives. Three months later, he is dead. Herbert was a BASE Jumper. Leaping off a cliff with nothing but a parachute, he loses his balance, slams into the rock face and falls to his death. His loss in the midst of my chemotherapy completely throws me. Why does he gamble his life away, while I fight for mine? Desperate for answers, I return to Lauterbrunnen, the scene of the accident where Andreas, his best friend and coach, introduces me to the world of BASE. The jumpers teach me not only about the sport, but about facing fears, harnessing and controlling them. To make the most of the life we get. In the Swiss Death Valley I slowly find my way back to life.
In his first HBO comedy special, Gary Gulman offers candid reflections on his struggles with depression through stand-up and short documentary interludes. While speaking to issues of mental health, Gulman also offers his observations on a number of topics, including his admiration for Millennial attitudes toward bullying, the intersection of masculinity and sports, and how his mother's voice is always in his head.
A shocking political exposé, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity, and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.
American teenagers connect on the early internet to crusade for their favorite videogame of all time, pitting their fan site against a corporate goliath and their own looming adulthoods.
The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.
My mother will die. Jutta interprets the diagnosis of an incurable cancer as a spiritual crisis. Accompanied by Rainer Langhans, to whom she has a deep friendship since over 40 years, Jutta travels to India and goes on the search for a healing experience from within.
A documentary exploring gender identity and what it means to be transgender.
Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”
Filmed over five years, we follow Lily Jones, 20, as she transitions from male to female, leaves her seaside home for the city, undergoes gender reassignment surgery and finds love.
Through a collection of video diary entries spanning more than a year, Pronouns in Bio delivers an offbeat and charming reflection on transness and identity. Part documentary, part video essay and part musical, the film follows director and star Lucy Rose Shaftain-Fenner, a recently out transgender, autistic woman, as she navigates the first year of her transition. Note: Lucy uses the name Frankie during the film but has since started using the name Lucy.
Charlie Brooker sets his caustic sights on video games. Expect acerbic comment as he looks at the various genres, how they have changed since their early conception and how the media represents games and gamers. Features interviews with Dara O Briain, sitcom scribe Graham Linehan and Rab and Ryan from Consolevania.
Every day in Sutton, scientists from The Institute of Cancer Research at The London Cancer Hub try to discover what will defeat cancer. In the summer of 2022, communities in Sutton came together to celebrate their incredible research through the creation of a short community film celebrating this science. The resulting film showcases choreographed dance sequences as creative yet recognisable interpretations of scientific concepts.
A video essay that despite, multiple delays, finally released to document the story and cancellation of solo-dev Heavenly Den!'s game, Blessed Realities, as a way to bring closure to the game and the studio's story. The story is over.
Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.