Motian In Motion is a documentary film about iconic jazz drummer Paul Motian, with rare footage of Paul playing and recording at the world renowned Village Vanguard, Birdland and other venues.
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Motian In Motion is a documentary film about iconic jazz drummer Paul Motian, with rare footage of Paul playing and recording at the world renowned Village Vanguard, Birdland and other venues.
2020-04-18
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Passing the Torch documents a ninety year old Jazz master, Jimmy Heath, mentoring teenage musicians with a thirst for knowledge and an appreciation of America's homegrown art form, Jazz. Director Bret Primack captures Heath's gentle, humorous sharing of life lessons and the non-threatening way he guides aspiring artists to musical excellence. An esteemed mentor, Mr. Heath reaches a much younger generation by understanding his role, to be dependable, engaged, authentic, and finely tuned to their needs.
A documentary that explores the challenges that a life in music can bring.
The Life & Times of Bobby Keys ... decades-long Sax player with The Rolling Stones, best friend to Keith Richards, and session player with John Lennon, Eric Clapton, Delaney & Bonnie, George Harrison, Dr. John, Joe Cocker, Harry Nilsson, Ian McLagan, Keith Moon, Etta James, Ronnie Wood, Sheryl Crow, Ringo Starr, Joe Ely, Warren Zevon, Billy Preston, Donovan, Marvin Gaye, Lynyrd Skynyrd, Carly Simon, Barbra Streisand, John Hiatt, Yoko Ono and B.B. King.
Imagine hanging out with Charlie Parker and Dizzy Gillespie, hearing them jam together, trading riffs, then riffing with words and trading stories. Bird and Diz are gone, but giants still walk among us. One of those giants is Buster Williams. Buster has played with everyone - Miles, Sarah Vaughan, Nancy Wilson, Art Blakey, and on. In this intimate portrait, Buster trades stories, and plays, with some of the world's greatest musicians - Benny Golson, Herbie Hancock, Christian McBride and others, and takes us on a journey through his life, legacy, and America's greatest art form - the truly universal music called Jazz.
Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
Atlanta musicians behind some of the biggest names in music embark on an uncertain journey into the spotlight with a new genre of music that fuses trap music with jazz.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
A biographical film featuring the music and times of Bill Evans with interviews from Tony Bennett, Jack Dejohnette, Billy Taylor, Paul Motian, Jon Hendricks, Orin Keepnews, Bobby Brookmeyer, Pat Evans and more, including family and friends who knew Bill Evans well.
During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.
At the beginning of the 20th century, a new direction in music appeared in America. Although the word "jazz" came into use only in 1913, this music, distinguished by its loudness, audacity, and riot, was heard on the streets of New Orleans at least ten years earlier. Jazz possessed special rhythmic energy never seen before in folk music. In addition, jazz was bold and unpredictable - the same song sounded different with each performance, and this only made jazz attractive. The musicians improvised, following the inspiration and adapting the melody to the sounds of other instruments playing with them on stage.
A feature- length documentary on the life and work of jazz musician and composer Krzysztof Komeda.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Miles Davis performing live at Berkshire Music Center, Tanglewood Massachusetts on August 18, 1970. Miles Davis tp / Chick Corea el-p / Keith Jarrett org / Gary Bartz ss, as / Dave Holland el-b / Jack DeJohnette dr / Airto Moreira perc 1. Directions 2. Bitches Brew 3. The Mask 4. It's About That Time 5. Sanctuary 6. Spanish Key 7. Miles Runs The Voodoo Down
CMC’s visionary leaders and artists to celebrate one of San Francisco’s most-revered and longest-running community arts programs.
"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.
Be it the musical expression of Dave Holland, the melodic phrasing of Scott LaFaro, the inventiveness of Charles Mingus or the flawless technique and artistry of Ray Brown, in jazz, as in most music, the bass is the bottom line. Walking the Changes centres around pivotal moments in the history of the double bass in jazz. Featuring exclusive interviews with the bass players who’ve pushed the boundaries of rhythm-section playing, elevating the instrument from a mere time-keeping role, to visionary composers and improvisors. With never-before-seen performance footage, studio outtakes and rare photos, this film unpacks the music of the best jazz bassists of all time.