Jugando a morir(1966)

El monosabio(es)

Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.

Yo he visto a la muerte(es)

Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.

La fiesta sigue(es)

A Philosopher in the Arena(es)

After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.

Curro Romero, Maestro del Tiempo(es)

War of Colors(en)

Based on real life incidents, a young Black woman with white skin due to Albinism struggles to fit in with society.

Kôshoku danjo: Sex no kisetsu(ja)

Nana, who aims to be an actress, has no buds. Nagasaki calls out to Nana as she walks through her town. She is curtly treated by her, but invites her to a nearby cafe and asks for her Nana and Yori back. But Nana has another target. He even threatened to break up with her wife, but she insisted she wasn't interested. Unable to allow her Nagasaki to treat her unkindly and in the end be taken away by her other man, he hit her from behind. Nana is photographed naked by female photographer Chigusa. She was her next target. While teaching Nana, who has a poor expression, Chigusa inadvertently kisses her. Nana accepts Chigusa and she embraces him. She said after the fact that Nana wanted her to lend money to Chigusa. She was being chased by her apartment landlord because she was behind on her rent. Chigusa said she would send the pictures together when they were done and she said she would also introduce the producer of the film.

Brechó Brasil(pt)

Sedin Kuyasha Chilo(bn)

an anthology of three stories based in different eras - the first story is set in the 1940s where a freedom fighter ends up taking refuge at a woman's place after being chased by the cops. The second story is about three childhood friends who have lost touch and reunite after many years. The third story is about a young village boy who comes to the city to pursue his dream and doesn't care for his old parents.

Laruan(tl)

Thea, Rene’s wife, always invites her other man, Geoff, over dinner for them to make out in the house. But when a new woman, Camille, enters the picture, Thea’s wild and crazy gameplay changes.

Hidaka-Kun, Who Is Always Reading Books That Seem Difficult(ja)

How to strike a conversation... or not.

The Killers(ar)

Adel has a firm belief that his stepfather killed his father to marry his mother. He makes a strange deal with the unemployed Aziz, who wants to get rid of his wife to cash her life insurance policy. Adel pledges to kill Aziz's wife in return for Aziz killing his stepfather.

Pleasant Silence(ja)

Co-ed for the first time, love at first sight, dating apps, gay practice, after school secrets... This is one page of my youth.

Whisper(ru)

A young couple, grieving the recent death of their daughter, move to the countryside where they are troubled by their experience of tragedy and the dark past of their new home.

Moul Ihsae(ar)

Lotfi, a census enumerator (counting demographics) or at least that's what he claims. Visits a neighborhood full of nutcases to interview and "count" them but everything quickly turns into a huge mess in a hilarious comedic frame full of twists about the Moroccan society..