
ADM:DOP (Anthony Dod Mantle - Director of Photography) is an impressionistic look into the creative life and vision of cinematographer Anthony Dod Mantle, the genius eye behind Harmony Korine's Julien Donkey-Boy, Lars von Trier's Dogville, Danny Boyle's 28 Days Later and Thomas Vinterberg's first two features, Festen and It's All About Love.

ADM:DOP (Anthony Dod Mantle - Director of Photography) is an impressionistic look into the creative life and vision of cinematographer Anthony Dod Mantle, the genius eye behind Harmony Korine's Julien Donkey-Boy, Lars von Trier's Dogville, Danny Boyle's 28 Days Later and Thomas Vinterberg's first two features, Festen and It's All About Love.
2003-11-21
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0.0"Return to the Overlook" is a behind-the-scenes featurette exploring the meticulous recreation of the iconic Overlook Hotel for Doctor Sleep. Cast and crew reflect on revisiting Stephen King’s haunted landmark, blending nostalgia with new nightmares as they bring a modern continuation to The Shining legacy.
0.0A half-hour featurette on how the film was made, which includes the original short film and a guide to how it was expanded upon.
5.3A featurette where Ari Aster and the cast break down the story and give us a behind the scenes look at the making of the film. It gives a fascinating look inside Ari Aster’s mind, and the detail put into production.
In this documentary, produced by Sean Baker in 2009, the directors and actors of Take Out discuss making the film.
0.0Explore the legend of Hollywood’s most celebrated cat, Orangey, in this adaptation of Dan Sallitt’s essay of the same name. The prolific feline actor’s 16-year filmography includes roles in Rhubarb (1951), The Incredible Shrinking Man (1957), The Diary of Anne Frank (1959), and Breakfast at Tiffany’s (1961)—or did it? The protege of star animal trainer Frank Inn, Orangey’s storied career leads Sallitt – who shares the screen here with another curious co-star – on the trail of a mystery.
7.3In 1933, Merian C. Cooper and Ernest B. Schoedsack, two audacious and visionary directors, dared to create a motion picture that eclipsed everything seen until then: when King Kong was released, it was celebrated as an artistic and technical revolution and became the first myth created by the young cinematic art.
7.4The film follows the story of a San Francisco Pentecostal minister Richard Gazowsky on his quest to shoot a groundbreaking fantasy film called Gravity: The Shadow of Joseph (described by him as "Star Wars meets The Ten Commandments"). The film follows him and members of his church as they go through pre-production and fly to Alberobello, Italy, for initial shooting that turns out to be marred with difficulties.
6.8From "The Rocky Horror Picture Show" to "The Big Lebowski" and everything in between, this fascinating deep-dive documentary begins its celebration of the greatest cult movies of all-time discussing the birth of the midnight movie.
8.0Why does Doris Dörrie have a bag on her head in the interview? Consistent in the sense that in her works she always poses the question of how we want to be perceived. Dörrie takes us through the most important stages of her life, her films, her work as a mentor and teacher, and also addresses existential themes: Identity, motherhood, her role as a woman. And she talks openly about fears, setbacks and crises, such as the untimely death of her partner and cameraman Helge Weindler. "Shut up and breathe", the advice of a Tibetan lama, carries her through life - even beyond the screen.
0.0A coming-of-age documentary that follows a group of young filmmakers as they make their first feature film, Scuba.
0.0Chinese film school students and the professors from the Greater China Region gathered together at Hong Kong Baptist University to discuss the many serious film issues in the region.
7.0A young film director returns to Venezuela, inspired to make a film based on his father's life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.
7.0Featuring extensive interviews with the cast and crew, this all-access documentary gives a rare glimpse into the daunting behind-the-scenes efforts that went into the production of the HBO Original smash hit series The Last of Us.
0.0Director Philip Barantini talks through how the short became a feature-length film, alongside details on the production.
6.9Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.
Three stand-up comedians seek fame and fortune in the hottest comedy scene in the world: San Francisco in the 1980s.
0.0A documentary from 2012 on the making of the film, featuring interviews with Pedro Almodóvar; Agustín Almodóvar; actors Penélope Cruz, Marisa Paredes, Cecilia Roth, and Antonia San Juan; production manager Esther García; and author Didier Eribon.
0.0A documentary about the making of Terror of the Autons. Actors Katy Manning and Richard Franklin, both of whom made their debuts in this story, recount the production with the help of Jon Pertwee (through an archive interview), Script Editor Terrance Dicks and Producer Barry Letts who, along with new series Producer Phil Collinson, discuss how the series' production regimes differed between the new series and the old.
0.0With the introduction of the Master, the Doctor now had his very own Moriarty, who would be the dark figure behind every story in Season 8, and many more beyond that. This documentary discusses the enduring appeal of the character.
A documentary about the making of Joe Cash's last directorial feature film Carnal Redemption, showcasing the behind the scenes, the preproduction hell of the film and the mayhem which goes into a Joe Cash film.