A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.
A year after Betti's passing, her children and grandchildren are still clearing out a house full of objects. Through them, they begin to remember and tell her story. This way, the family leaves behind the sad memory of a terminal illness and replaces it with the joyful person that Betti was and meant to them.
2021-11-18
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What stories do objects tell when someone is gone?
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
An Indonesian student in London attempts to deal with the absurdity of confinement and immobility due to then-ongoing coronavirus lockdown by talking to his parents – who also face similar movement restrictions in Jakarta – over the phone.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i in the 1910s. Amidst the solitude of his home routines — coupon clipping, rigging an improvised barbecue, lighting firecrackers on the New Year — we glimpse an unexpectedly rich inner life.
Agricultural scientist and mother Isolde struggles with the dicrepancies between her personal convictions and the political realities in East Germany.
Aunt Neirud was always present at family gatherings. Neirud was big, strong, and worked in the circus. Who was this woman so close to the family and about whom we know so little?
Eneida, 83 years old, makes a journey into her past, in search of her firstborn daughter, whom she has not seen for over two decades.
A portrait that follows Nan, my uncle and the last two years he and his parents live together. In long, tightly framed shots, a picture emerges of three intimately interwoven lives: the gentle and touching bickering between Nan and his mother, the evenings in front of the television when time seems to stand still, and the minutes ticking by as Grandpa silently peels an apple. In the film, disability is not only seen as symptoms on individual bodies, but as social, physical, and temporal relationships. It is a meditation on time, disabilities, and the economies of care in contemporary China.
Saucedo explores the emotional journey of boxing champion Alex Saucedo who suffers a career ending brain injury, forcing him to redefine his identity, find new purpose and take care of his family. This cinema verité feature documentary is a raw and intimate portrait of resilience and redemption.
Nearly a decade in the making, The House We Lived In is a strikingly candid portrait of a family transformed by a father’s brain injury. In 2011, 61-year-old Tod O’Donnell awoke from a coma with a case of total amnesia that doctors assured his wife and children was temporary. But when it proved permanent, and for no discernible reason, the O’Donnell’s were left to themselves to untangle the mystery — a struggle for answers that would only raise more questions as they came to realize, painfully, that the real mystery was Tod himself.
Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.
«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»
Following the death of their parents, Harriet and her siblings must unpack their childhood fears as they prepare to sell their dragon-filled Oxfordshire home. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind.
In this modern, coming of age documentary, Naomi, Jojo and Arham grapple with economic divides, gender roles, and family dynamics while competing in the fastest growing high school sport in the country: girl’s wrestling.
Filmmaker Evie Wray travels to rural Kansas in an attempt to reconnect with her mentally unstable mother, Evie, for the first time since Evie’s psychotic breakdown five years earlier. She finds a parent still chasing her demons, both real and imagined, struggling to make a career for herself as an abstract artist and searching for the Geodetic Center of the United States, the finding of which, Evie says, will bring about world peace.
This documentary celebrates one of Britain’s greatest actors, Dame Judi Dench, and looks back over her remarkable 60-year career.
Jason Momoa's story of fatherhood, craftsmanship, and the legacy he'll leave behind.
Bye Bye Barcelona is a documentary about a city and its relation to tourism , on the difficult coexistence between Barcelona the city and Barcelona the tourist destination