Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.
Fat Kau
Madam Tang
Leung Sin-sau
Gentry Chan
Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.
1960-02-24
0
A woman receives marriage proposals from three young men—one rich, one handsome, and one poor who owns nothing but a magical flying carpet. Choosing love over wealth and looks, she marries the poor man and embarks on a journey with him across Iraq, Egypt, Lebanon, and India.
The already successful tenor Mattei is discovered after he already retired into private life. Der Wiener Staatsoper place a significant part in this musical comedy drama.
Director Claude André Lalande illustrates the theme of three songs in images. We see and hear in turn Roland Gerbeau "Himalaya", Jacqueline François "From Montmartre to the Latin Quarter" and Jean Marco "The Ghost of Aunt Anna". This mini musical is one of the ancestors of music videos.
Harold Hobbs doesn't much like that his lazy, sponging and unemployed brother-in-law Claude and his mother-in-law live with him and his wife, Hortense, especially as the in-laws seem to rule the roost ever since they moved in. To get his in-laws out of the house, Harold has regularly left a bottle of booze for Claude to be able to entertain prospective employers. When Harold learns that on all the other occasions the employers have not showed (he assumes there probably were no prospective employers) leaving Claude to consume the booze on his own, he decides to show Claude a lesson by spiking the bottle with castor oil. Complications ensue when Joe, Harold's friend, encourages him to skip work to attend the prize fight. What Joe doesn't tell Harold is that he tells his boss that Harold needs the day off to attend to the sudden death of his brother-in-law.
Longtime friends become feuding mothers-in-law when their children marry.
The fortunes of down-on-his-luck crooner Asfour change overnight when he discovers a mysterious lamp housing a charming genie. She can make anything he wishes come true, so he asks for help in luring his distracted girlfriend from the charms of a rich competitor. But Asfour soon learns he should be careful what to wish for, as he soon realizes his heart may lie elsewhere.
Mina is dreaming of becoming a painter and Petros works in a company. They meet and fall in love during the carnival, but later lose contact. They meet again without recognizing each other and eventually get married. However they have no idea how hard marriage is.
From an ominous Lecturer, a small 1930s middle American community learns of the Harper Affair, in which young Jimmy Harper finds his life of promise turn into a life of debauchery and murder thanks to the new drug menace marijuana. Along the way, he receives help from his girlfriend Mary and Jesus Himself, but always finds himself in the arms of the Reefer Man and the rest of the denizens of the Reefer Den.
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls in love with wealthy Randy, May fears class differences may lead to misery.
Sometimes he feels a tugging in his shoulder, sometimes he thinks his kidneys are failing. Two weeks before his marriage to the beautiful Anne, junior architect Stefan seems to have gathered all the diseases in the world. Drawn from the stress of the wedding preparations, the hypochondriac is in top form. When he overhears a phone call from the family doctor, he mistakenly thinks he is a dead man. Now a substitute husband is needed for Anne.
This musical comedy produced in 1953 for the General Government of Algeria, features the comic trio composed of Rouiched, Mohamed Touri and Sid Ali Fernandel, accompanied by the orchestra of the master of the Algiers Chaâbi El Hadj M'hamed El Anka, the singer Fadhéla Dziria, Mustapha Skandrani on the piano. Some scenes were filmed at the Summer Palace (the current Palace of the Algerian Presidency, called the People's Palace). André Zwobada, the director, will play an important role after the independence of Algeria in 1962, in the production and preservation of the first Algerian newsreels.
Pandelis is a garbageman who is anxiously waiting to retire and receive his well-earned superannuation payout. His wife and mother-in-law are also awaiting the super payout, but they have different ideas as to how the money should be spent. The usually submissive and calm Pandelis suddenly decides to react... Philippides does a sterling job as the long-suffering Pandelis and his vicissitudes leave one with a warm feeling. Unlikely though the scenario may seem, one wishes it to be true, thus giving hope for the many Pandelides out there who find themselves contemplating life in their middle years with regret and disappointment.
A ring passes between a lot of different people, giving the bearer or someone close a new meaning to life. Actors, embezzlers, old ladies and cheated husbands all seem to gain temporary hope from misery and disillusionment.
Samuel Plottner is a stockdealer who only wants to get richer, but suddenly things starts to get complicated: His sons meets their longlost mother which not only is after Samuels money, but also can tell them what happened to them the day they were born. The financial expert Benny Hörnsteen is also after Samuels money, and so is the clown Conny Corny and Lennart K. Brons too. How will this end?
Stuck in COVID-19 lockdown, US comedian and musician Bo Burnham attempts to stay sane and happy by writing, shooting and performing a one-man comedy special.
In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.
Unknown comedians Alex Dolezal and Aidan Fealy attempt to launch the national tour of their absurdist late-night talk show parody but a combination of ADHD and poor choices threaten to derail them before they can even start.
Autant en emporte le vent is a French musical adaptation of the 1936 Margaret Mitchell novel Gone with the Wind produced by Dove Attia and Albert Cohen in 2003, with music and lyrics by Gérard Presgurvic and staging and choreography by Kamel Ouali.
Lúcio comes back home drunk and tired after a party late into the night and has a fight with his wife, Terezinha. Then, a butler shows up at their door to inform them Terezinha's mother has died.
A union leader dies in a sleazy hotel room, then the wife, mistress, police, co workers, reporters, colleagues, and political figures arrive to the hotel and each has its own intentions.