This is the story of the heartless mother whose burdens are such that she would be rid of her two children. The henpecked father is compelled to take them to the woods and there lose them. Gretel drops bread-crumbs to find her way home, but wild-fowl eat the crumbs and they are truly lost. The babes wander to the home of a witch, who would fatten them up to make ginger-bread of them. As they are about to be thrown into the blazing furnace Peggy outwits the witch, and, in turn, the witch is thrust into the roaring flames, as the mother, repentant, heads the neighbors in the work of rescue.
Hansel
Hansel's Father
The Giant
This is the story of the heartless mother whose burdens are such that she would be rid of her two children. The henpecked father is compelled to take them to the woods and there lose them. Gretel drops bread-crumbs to find her way home, but wild-fowl eat the crumbs and they are truly lost. The babes wander to the home of a witch, who would fatten them up to make ginger-bread of them. As they are about to be thrown into the blazing furnace Peggy outwits the witch, and, in turn, the witch is thrust into the roaring flames, as the mother, repentant, heads the neighbors in the work of rescue.
1923-12-26
0
Jacob & Wilhelm Grimm
Young and pretty, Margery Dean, companion to Mrs. Sawyer, a wealthy lady, chances to meet Jack Drislane, a young clerk. It is raining hard; she has not an umbrella; he secures one and escorts her home. He is duly impressed when she enters a large brownstone mansion, particularly as the girl does not enlighten him as to her real social position; Later, they see each other again in passing autos and then Jack, who has been unable to forget Margery, asks permission to call, neglecting to mention, however, that he is a working man and not a wealthy idler.
Angered by his son Dick's boastful ways, which in one incident lead him to lose a business deal, an automobile manufacturer challenges him to complete four difficult missions.
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
This unfinished, never-released 1922 Alfred Hitchcock-directed film was about low-income residents of a tenement building.
A young lady takes on a convict as her chauffeur, believing him to be a burglar. In reality, however, he is an innocent broker.
Hiram, a country youth, is in love with Sallie. They go fishing and Sallie falls into the water. Hiram cannot swim, so he runs to the road and stops an automobile, driven by Alfred, a city chap. The latter rescues Sallie, and she feels grateful to him. His attentions to Sallie are not displeasing, and Hiram becomes insanely jealous.
Mabel attempts to master a bucking horse as it speeds towards a cliff with Mack hot on her trail!
Smith's chum is a very poor Baron. Smith and the Baron are invited to a ball, and the Baron, not having evening clothes of his own, "borrows" Smith's dress suit. He is having the time of his life when Smith arrives, thoroughly angry, and taking the Baron in a room takes the clothes away from him. The Baron is in a terrible predicament, dodging around from room to room, as people intrude upon his hiding places. He tries to hide his face with a handkerchief, and a lady catches a glimpse of him as he dives under a bed. She screams in terror, thinking he is a mad man, and then the poor Baron is chased all over the house. Someone telephones for the police and they assist in the capture and lead him away.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
The story of two feuding Irish immigrant families living in a tenement.
William Bradberry, an absent-minded Egyptologist, turns from a henpecked husband to a dominating one who, unknown to his daughter Betty and wife, writes theatre musical comedy on the side. And saves his daughter from the unsavory millionaire, Victor Smith she almost marries before she marries the decent man Tommy Dawson. A lost film.
Nellie's father is a judge, afflicted with a species of St. Vitus' dance. When he feels an attack coming on he takes a dose of medicine which always brings relief. One day he forgets the medicine, and feeling the attack coming on he sends Nellie home for the medicine. She jumps into her auto and drives like the wind, pursued by two bicycle cops. One of the cops is a rejected suitor, and he hopes to catch her and arrest her, for spite. The other cop is the accepted lover, and he rides to save her. Amusing situations are shown while the trio are riding at terrific speed. Nellie is arrested, but is released upon the plea of her sweetheart.
Two young men are aspirants for the hand of Mabel, Henry and Ned, Ned, walking through the park, accidentally bumps into a gouty old gentleman who furiously resents the shock, and Ned amuses himself by tapping the gouty foot with his cane and keeping out of reach of the lunges of the old man. When he calls at Mabel's home he finds to his consternation that the old gentleman is Mabel's father.
An Italian makes love to a girl and is repulsed. She favors another man, and the Italian uses drastic measures to rid himself of his rival. He finally becomes angered at the girl and kidnaps her. He ties her to a post and arranges an infernal machine, attached to a clock, which will shoot off a revolver at 12 o'clock. The weapon is pointed at the girl, who makes frantic efforts to escape as the hands creep toward the fatal hour.
A Roscoe 'Fatty' Arbuckle & Mabel Normand comedy short. The film is considered lost.
A comedy short that revolves around a poker game, both above and underneath the table. This is considered to be a lost film.
Mabel Normand stars in this comedy short in which she has a world of trouble with her rival lovers.
Mabel meets a masher in the park while en route to get a position as maid. Later she finds the man was the husband of her new mistress. There is an exciting chase scene, and the picture winds up with everyone in the lake.
Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.