What if democracy fails citizens by not serving them all equally? What if inequality becomes the norm and the most vulnerable citizens are left behind with no money, no home, no rights, and no country of their own? In Hungary, the government has slashed social benefits and criminalized homelessness, but a group of activists, homeless and middle class, is confronting authorities to defend social justice and their right to be citizens. After the tragic death of two of its founding members, the group feels that Hungary is growing more hostile and their struggle is more important than ever. Despite all odds, their own community keeps them going—a mini-society with democracy and solidarity at its heart, an island of hope, belonging and dignity in a society gradually shifting the other way.
The first film in Miklós Jancsó's documentary series Message of Stones.
It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?
Tomasz Biernacki’s thought-provoking documentary about the homeless crisis in Seattle. Deftly interweaving in-depth stories of community members who are living the crisis on the streets with interviews of political leaders and community advocates, vivid images of the current state of affairs and a poignant examination of the roots of homelessness in the region, Biernacki paints a picture of a city struggling to come to grips with an unprecedented emergency, and finds a few glimmers of hope.
A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?
This documentary follows Pia, who is homeless. She is struggling with her drug addiction. During the day she (and many other homeless people) sells the newspaper Situation Sthlm.
It has been three years since Tom Alandh made the film "Det svåra livet" about homeless drug addict Pia. This film shows what has happened to her since.
Ten years after documentary filmmaker Tom Alandh started filming homeless drug addict Pia Sjögren, he makes his third and final film about her. Pia was 14 years old when she started smoking cannabis and using drugs. Then it all happened really fast. The heavier drugs, the men who beat, and years of cold nights in basements and attics. Treatment and punishment. Rehabs and prisons. Relapse. Constantly back, at the complete bottom, among shame and guilt. For ten years, Tom Alandh and photographer Björn Henriksson documented Pia's life. Two films were made, this is the third and last film, which shows how she managed to get clean against all odds.
The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.
For almost half of his life, Kenneth Viken has been in prison, and he does not know how many times he has been released, only to soon return . In January 2016 he is released again.
The Aszú of Tokaj, a sweet wine of Hungary, was once cherished by King Louis XIV, Queen Victoria, Peter the Great, Goethe and Beethoven. But the world has since forgotten the noble Aszú, two world wars, the enforced collectivisation of the Communist regime and the deadly filoxera epidemic had all wreaked havoc on the vines. Three dedicated heroes, one passion: to create The Great Wine that can return to the most refined tables of the world.
This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.
The footage was shot in the writer's room a few days after his death. Everything in the room was untouched. The poet György Petri reads from one of Péter Hajnóczy's works, Miss Embolia. A sacred image of the Eastern European "beaten generation."
The documentary was shot in the prison for juvenile delinquents in Hungary. It does not aim at judging whether the perpetrators were convicted rightly or not but, given the burden they carry, how they can reintegrate into society after they are released.
It is the year 2546. Corporations rule the world, and an agent is on a secret mission to explore the untold stories of the past. His journey leads him into a secret virtual reality where one corporation has recreated the 1980s, an era that witnessed the birth of video game development, an event in which a politically and economically restricted small European country, Hungary, had a significant role. He discovers a strange but exciting world, where computers were smuggled through the Iron Curtain and serious engineers started developing games. This small country was still under Soviet pressure when a group of people managed to set up one of the first game development studios in the world, and western computer stores started clearing room on their shelves for Hungarian products.
This Traveltalk series short visits the rural agricultural areas of Hungary.
We follow Roach, a 17-year-old ex-junkie and squeegee punk living on the streets of Toronto and Montreal. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.
1994 at the Ambassador Hotel, 55 Mason Street in the Tenderloin district of San Francisco, California. From 1978 to 1996, the hotel was managed by Hank Wilson, a San Francisco LGBT activist who made the hotel a model for harm reduction housing. 134 run-down and exhausted rooms populated by homeless men and women, sometimes even children. All of them in urgent need of care, compassion and humanity. Nobly provided by voluntarily working professional health care and social workers staff, various benefactors, volunteers, neighbors, and community contributions.