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Out of the Fog(en)
Faith’s life is shattered when her lover dies. Her brother Job locks her away in a lighthouse, but she jumps from the tower rather than be imprisoned. Faith's daughter, however, lives on. The girl Eve grows into her teens, sheltered from the world by her puritanical uncle. But Eve nevertheless manages to encounter a young man, Phillip Blake. When Phillip returns for Eve, he has to deal with her crusty, malevolent guardian….
Piccadilly Jim(en)
American newspaper reporter Jim Crocker's madcap escapades in London earn him notoriety and the nickname "Piccadilly Jim." When he overhears his American cousin by marriage, Ann Chester, giving her candid opinion of him, he decides to return to America to try to reform. He meets Ann on the boat, using another name. Unable to find work in New York, he goes to his step aunt Mrs. Peter Pett's home to be near Ann. Jim then helps Ann kidnap pampered cousin Ogden Pett whose overindulgence has created disruption in the household.
The Barricade(en)
Debutante Hope Merrill returns home one day to find her financier father Amos Merrill on the verge of committing suicide. Rather than reveal the truth -- that he has misappropriated funds from his own company -- Merrill claims that he has been ruined by young John Cook, Hope's sweetheart.
The World and His Wife(en)
Elderly Spanish nobleman Don Julian is happily married to Teodora, a beautiful young girl, when his protégé, young poet Ernesto, comes to live with them. Vicious gossip spreads false rumors of a love affair between the two young people and the evil Don Alvarez, the most bitter slanderer of all, goads Ernesto into challenging him to a duel. Don Julian, realizing that the youth is no match for one of the best swordsmen in Spain, forces the slanderer into a fight in which Don Alvarez is slain and Don Julian gravely wounded. Ernesto calls upon the dying Don Julian to convince him of his wife's innocence. Misled by his brother Severo, Don Julian believes the youth has come to visit Teodora, denouncing them both before dying, ironically driving Ernesto and Teodora from the house to face the world together.
The Miracle Man(en)
A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.
The Boy in Blue(de)
A man searches for a cursed emerald belonging to his ancestor. Lost film, minor fragments survive
The Popular Sin(en)
Philandering husband George Montfort purchases railroad tickets for a weekend tryst in the mountains with his latest paramour. When his wife Yvonne finds the tickets, George hastily explains that they were bought as an anniversary present for her. Yvonne doesn't believe George, but she decides to use her ticket anyway, while George remains behind in Paris on "business."
Back to Liberty(xx)
Tom Devon, alias Reginald Briand, is the mastermind behind an organization of gentlemen thieves, including Jimmy Stevens and Rudolph Gambier. Jimmy falls in love with Tom's innocent daughter, Gloria, after he rescues her from an embarrassing scene in a restaurant. Tom disapproves of the romance and decides to dissolve the partnership. When an embittered Rudolph kills Tom he frames Jimmy, but Gloria is determined to clear him. Posing as a thief, she seeks the truth.
Joy Street(en)
Mimi, an unsophisticated American girl attending an exclusive Swiss boarding school, unexpectedly inherits a large fortune. Returning to the United States she quickly begins to live a wild and reckless life. Good-natured Joe attempts to set her straight, but she keeps right on living riotously. It takes Mimi a serious accident while joyriding to comes to her senses and realize she is ready for a more settled existence.
Resurrection of a Corpse(ja)
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.