Christmastime at the Roman Catholic-run Kamloops Indian Residential School in British Columbia.
Christmastime at the Roman Catholic-run Kamloops Indian Residential School in British Columbia.
1962-12-25
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Two beautiful and different girls, Alice and Lisette are 17 years old, when forcibly removed from their Alsatian family to cooperate in the war effort in Germany. After spending six months in a indoctrination camp, they are both sent to a munitions factory where they are tasked to perform inhuman works. An explosion erupts, they are suspected of sabotage and threatened with being sent to a boot camp. Alice and Lisette believe they saved when transferred to a maternity where they continue living the hell of war.
This documentary explores the history of Canada’s first major migration of non-European and non-white refugees who arrived in 1972 when Ugandan President Idi Amin expelled all South Asians from the country. Their story of struggle and hope became part of Canada’s conversations about refugees and cultural pluralism, and informed the Canadian response to future refugee movements.
This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.
Located on the northern shore of Bedford Basin, Africville was home to the many African-Canadian families who lived there for generations. In the 1960s, the city of Halifax expropriated Africville and residents were forced to leave their homes and businesses behind. Today, former residents of Africville are fighting for reparations and an official apology.
In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.
The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.
Mixing animation with a wealth of archival footage, Chris Auchter’s film explores the 1985 dispute over clearcut logging on Haida Gwaii. On one side are Western Forest Products and Frank Belsen Logging, who plan to engage in clearcut logging on Tllga Kun Gwaayaay (Lyell Island) and are supported by the BC government. On the other side is the Haida Nation, which wishes to protect its lands against further destruction. The confrontation involves court proceedings and a blockade, and Auchter takes us from canny retrospective commentary to the thick of the action.
The story of Morris Saxe, one man whose actions left their mark not only on the business and agricultural life of Ontario, but on the conscience of Canada. The determination and generosity that made Saxe "a man of conscience" are examined through the eyes of his grandson. Born in 1878, Saxe founded the Federated Jewish Farmers of Ontario. He rescued 79 Jewish orphans from Europe and brought them to Canada.
Today it is the city of Montreal, but 3 centuries ago the tiny band of missionary founders called it Ville-Marie, the holy city of Mary. This film goes back to its beginning and those who felt called to plant an oasis of Christianity in the North American wilderness. In an imaginative, at times almost surrealistic, way the film recalls the highborn company from France, and shows what survives of Ville-Marie in the Montreal of today.
In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.
Ruby is hopeful for a new start with her twin sister as they continue their education at an all-girl's boarding school. However, she soon endures torturous punishments and public humiliation as her cruel headmistress and stepmother plot against her.
This film explores how Canada wavers between rejection and acceptance of closer ties with the United States, tracing the historical precedents of current issues between the two nations. Canada continues to question her identity despite the influence of a powerful neighbour.
A documentary recounting the kidnappings of British Trade Commissioner James Cross and Quebec Vice-Premier & Minister of Labour Pierre Laporte by the FLQ on October 5, 1970 in Quebec.
The Élan School was a for-profit, residential behavior modification program and therapeutic boarding school located deep within the woods of Maine. Delinquent teenagers who failed to comply with other treatment programs were referred to the school as a last resort. Treatment entailed harsh discipline, surveillance, degradation, and downright abuse. Years later, the patients who were institutionalized in this facility still carry the trauma they endured, with mixed opinions on the impact of their experience.
Felix Funicello is a Catholic school fifth-grader in 1964, whose claim to fame is his cousin Annette Funicello, the famous Mouseketeer and teen movie queen. But grammar and arithmetic move to the back burner this holiday season with the sudden arrivals of substitute teacher Madame Frechette and feisty Russian student Zhenya Kabakova. While Felix learns the meaning of French kissing, cultural misunderstanding, and tableaux vivants, Wishin' and Hopin' barrels toward one outrageous Christmas!
Documentary on the Canadian career of train robber Billy Miner, who became a folk hero in British Columbia. Locations near Kamloops and Mission are explored in present day.
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
Renowned as the richest gold strike in North American mining history, the Klondike Gold Rush (1896-1899) set off a stampede of over 100,000 people on a colossal journey from Alaska to the gold fields of Canada's Yukon Territory. Filled with the frontier spirit, prospectors came and gave rise to what was one of the largest cities in Canada at that time - Dawson City. The boomtown, which became known as "the Paris of the North", earned the reputation as a place where lives could be revolutionized. Brought to life with excerpts from the celebrated book The Klondike Stampede - published in 1900 by Harper's Weekly correspondent Tappan Adney - and featuring interviews with award-winning author Charlotte Gray, and historians Terrence Cole and Michael Gates, The Klondike Gold Rush is an incredible story of determination, luck, fortune, and loss. In the end, it isn't all about the gold, but rather the journey to the Klondike itself.
In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that operated from 1926 to 1965, infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order, along with historically accurate dramatic reconstructions, this film paints a gripping portrait of the social and political struggles of Canadian francophone-minority communities.