Argentinian short film which shows local fauna and hunting.
Argentinian short film which shows local fauna and hunting.
1969-01-01
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An in-depth review of tree stand safety from hunting expert L.J. Smith.
A dive into the world of a theatrical tradition with riders in classical costumes, hunting horns and bloodhounds. The drag hunt is a hunt without guns, where you do not hunt an animal, but a piece of cloth. It seems to be something of this time, but drag hunting is still under pressure. Can this age-old tradition survive in modern society? How do the riders view this spectacle full of etiquette?
An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.
Hunters have disappeared from wildlands without a trace for hundreds of years. David Paulides presents the haunting true stories of hunters experiencing the unexplainable in the woods of North America.
This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.
My Deer Hunter is the meeting of Alain, man of the nature and passionate of hunting with the deer, at the moment where the nervousness of the first days of hunting settles down. It's a family reunion, a return to the source in the lands of Témiscouata.
This delightful Animal Planet series follows young animals facing special challenges. Zookeepers, veterinarians and other animal specialists explain their role in helping to get the youngsters off to a good start. This collection's four episodes feature the first year in the life of baby elephant Maximus; a trio of zebras at a sanctuary; an orphaned giraffe named Kulula who joins a new herd; and the truth about the much-maligned hyena.
The Year of Return is an initiative of the government of Ghana that is intended to encourage African diasporans to come to Africa to settle and invest in the continent. This film documents one diasporan family as they return to Africa.
Duck archery is not the same as duck hunting. This is a Pordenone moment I will never forget – in actuality short Distraction et Sport à Batavia (1909), the residents of what is now call Jakarta make the most of their leisure time by pursuing a variety of mostly healthy exploits. But really, I can see no justification, nor explanation for why a round of archery needs to be enlivened by affixing live poultry to the target. As my good man Peter tweeted at the time: “One right in the neck, yeesh.” Sensitive viewers should be aware that animal cruelty abounds in silent cinema – the most notable, and egregious, example is Edison’s notorious Electrocuting an Elephant. The most poignant fictional example is perhaps the poor horse in Eisenstein’s October. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)
Richly detailed record of the Prince of Wales' Indian tour.
This official travelogue of a royal tour follows the Prince on a series of regimental displays and a tiger hunt.
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
Between 1933 and 1935, the painter Wilhelm Eggert and his wife Dora Kuster traveled the African continent. Their expedition took them from Mediterranean Algiers through the Sahara and parts of the African west coast to the Congo and Kenya. Not only did the couple explore vast stretches of land that were almost completely unknown, at least to private travelers at the time, they also captured this journey on film. A screenable documentary film was compiled from the original 12,000m of film material. In cinemas and film clubs, European audiences were presented with a film that was evidently able to satisfy an interest in foreign, 'wild' cultures and exotic landscapes, albeit one that was always Eurocentric. The spectacular shots of African lifestyles and nature, which in many respects were new to European viewers who were almost completely unfamiliar with Africa, were praised and appreciated precisely because of their supposed authenticity.
The Duke rides an elephant as he ventures on safari in Bengal.