The second play, O Homem I, is about the vigorous embrace of the winner, the Celtic European Colonizer, copulating with the defeated, with the slaves from the ships, forming the "Typeless-Brazilian" type. Mixtures of all kinds find their space in the stage in the surprising miscegenation already present in the cast and crew of Teatro Oficina itself. It is the story of the Brazilian Man, the Man of the Country abroad interbreeding with the Country inside, until the Revolt against the very idea—imposed and imported—of man, with the appearance of Zarathustra Antônio Conselheiro.
The second play, O Homem I, is about the vigorous embrace of the winner, the Celtic European Colonizer, copulating with the defeated, with the slaves from the ships, forming the "Typeless-Brazilian" type. Mixtures of all kinds find their space in the stage in the surprising miscegenation already present in the cast and crew of Teatro Oficina itself. It is the story of the Brazilian Man, the Man of the Country abroad interbreeding with the Country inside, until the Revolt against the very idea—imposed and imported—of man, with the appearance of Zarathustra Antônio Conselheiro.
2003-08-16
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Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).
In The Turning Point, written by Michael Dobbs, Benedict Cumberbatch takes the role of Guy Burgess while Matthew Marsh plays the part of Winston Churchill. The play was part of the Sky Arts Theatre Live! Series, which won the Broadcasting Press Guild Best Multichannel Programme Award.
A group of actors gather in a remote Northeastern town to rehearse for a mysterious stage production, only to be plunged into a hellish world where their real lives mirror the grisly story of the play.
Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues.
Paul, a 45-year-old businessman, is about to radically change his life ... He organized everything down to the smallest detail the lucrative sale of his website to a Russian company, his divorce and his departure on a paradise island with his mistress .... The sole confidant of his stratagem and his plans for the next day: his friend Michel, a naive and blundering computer genius who follows Paul like a beacon ... But on the eve of this fateful day , everything changes: a short circuit causes the oven to explode just when Paul is in the kitchen. He came out unscathed, but against all odds, completely lost his memory ... Recorded at Théâtre des Bouffes-Parisiens
A very free adaptation of Marlowe's "Doctor Faustus", Goethe's "Faust" and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.
Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.
The fantastical tale of a little girl who won't - or can't - follow the rules. Confounded by her clashes with the rule-obsessed world around her, Phoebe seeks enlightenment from her unconventional drama teacher, even as her brilliant but anguished mother looks to Phoebe herself for inspiration.
While a group of young actors rehearse a new musical about a mass murderer, a notorious psychopath escapes from a nearby insane asylum.
From 2000 to 2007, Teat(r)o Oficina Uzyna Uzona worked on the staging of Euclides da Cunha's epic book, Os Sertões, which describes the 19th Century War of Canudos in the Brazilian "sertão"(backlands). The result was the pentalogy of plays: A Terra (2002), O Homem I (2003), O Homem II (2003), A Luta I (2005), and A Luta II (2006). This first play is a carnival opera, the actors are the earth, the vegetation, the wind, the animals, the rivers, the drought. It reveals the most intimate secrets of nature, that also vibrate in the human and trans-human arteries. This work enriched by the experience that the subsequent works brought gains an updated insight into the human interference in the environment. Destructive power is proportional to financial power, and the discussion about the way space gets occupied was brought to the forefront, including the real-estate boom that surrounds today not only Teatro Oficina, but the whole world, now hotter and more arid.
The local social cricket team are up to bat and sometimes it seems they are one batsman short of of an eleven. There are good secrets and not so good secrets that come to light during the course of the day. Roger is the ultimate captain rallying his troops whilst ignoring his greatest strength, Miriam, who makes the 'fantastic' teas with or without the 'non-compulsory' help. The days builds to a climax where it seems that everything must change forever. But will it?
Terrence McNally’s Corpus Christi is a play retelling the Jesus story, with Jesus as a gay man living in the 1950s in Corpus Christi, Texas. This documentary follows the troupe, playwright, and audience around the world on a five-year journey of Terrence McNally’s passion play, where voices of protest and support collide on one of the central issues facing the LGBT community: religion.
To Jane Falbury's New England farm comes a troup of actors to put up a show, invited by Jane's sister. At first reluctant she has them do farm chores in exchange for food. Her reluctance becomes attraction when she falls in love with the director, Joe, who happens to be her sister's fiance.
On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge is now and he warns him to change his ways or face the consequences in the afterlife.
Two friends meet at a café. The silent unmarried Mr Y and the outspoken married Mr X. When Mr X realises that Mr Y was his rival for his wife's love they enter a battle of the minds where the stronger will win.
A presentation of Tennessee Williams' three one-act plays: "Moony's Kid Don't Cry", "The Last of My Solid Gold Watches", and "This Property Is Condemned".