In What’s Ours and What We Are, images, motifs and words that originally served a particular political agenda are playfully manipulated to distort and re-contextualize their original status, satirically articulating the purpose of propaganda which is to ‘speak to’ and ultimately to persuade a spectator.
In What’s Ours and What We Are, images, motifs and words that originally served a particular political agenda are playfully manipulated to distort and re-contextualize their original status, satirically articulating the purpose of propaganda which is to ‘speak to’ and ultimately to persuade a spectator.
2016-05-09
8
Arf Arf is a sound poetry (voice and gesticulation) group. They describe their first film together as 'songs nailed together in a film'. The film is not given over to simply recording a performance of sound poetry but is worked out as a filmic combination of images and sound, each member of the group having individually previously made experimental films.
In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
This is an April Fool's joke by Nitroplus. On 01.04.2011, an official website for Mahou Shoujo Sonico Magika, a parody of SoniComi (a game by Nitroplus), was opened with the announcement of it being a TV anime. On the same day, the opening video for the so called TV anime was released on YouTube by NitroPlusChannel. This opening is essentially the entire anime. The title is a clear reference to Mahou Shoujo Madoka Magika, a TV anime which screenplay was written by a Nitroplus staffer Urobuchi Gen, who also got credited for screenplay for this anime on the official page. No screenplay was ever written, of course.
Wile E. Coyote is chasing the Road Runner (still) and comes across the Acme Book of Magic. With the power to levitate heavy boulders, fly on broomsticks, and transfigure anything to suit his need, it seems like Wile E. finally has a chance at getting his breakfast... but then again, this is Wile E. Coyote we're talking about.
A grieving young inventor finds solace in repairing an antique typewriter.
What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.
Chris Jackson is a taxi driver with a childhood trauma. The trauma has made him a portal for obsessions to pass from the mind to the physical world and hence disrupt the world's multiple planes of reality. Extraterrestrials that police the universe threaten to kill Chris' friends unless he conquers his past.
Tintin and Captain Haddock search for Red Rackham's treasure with the help of an eccentric but lovable professor.
Journey into Spring is a 1958 British short documentary film directed by Ralph Keene, and made by British Transport Films. The film -- partly a tribute to the work of the pioneering naturalist and ornithologist Gilbert White (1720-1793), author of The Natural History of Selborne -- features a commentary by the poet Laurie Lee, and camerawork by the wildlife cinematographer Patrick Carey. The journey suggested by the title is through time rather than space. In fact, two such journeys are made: the first back to the eighteenth century to pay tribute to the work of White, and the second studies the changing natural landscape near White's home town of Selborne in Hampshire between a typical March and May. It was nominated for two Academy Awards -- one for Best Documentary Short, and the other for Best Live Action Short.
Billy Wade is an ex-gunslinger who is approached by his outlaw brother Matt, not long out of prison, to help him with a big-time robbery. Matt forces Billy's participation with an offer he cannot refuse, unaware that Billy is actually working on the side of the law.
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
The film is about the deceleration of motion in linear form and speed, establishing a connection between space and love. It ends with high-contrast photos with increasingly drastic color changes. This short film, inspired by Brakhage's Stellar film, was created by manipulating 1750 space photos in Photoshop along with grotesque paintings. Some frames contain black paintings by Francisco Goya, grotesque drawings by Leonardo da Vinci, grotesque engravings by William Blake. In order to refer to Brakhage's poetic style and understanding of storytelling in experimental cinema, two poems by Frank O'Hara and Kenneth Koch are placed in the beginning and end of the film.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
A poetic journey from the darkness of dawn into the brightness of the midday sun in the American South. Filmed over the course of six months on one bus route in Durham, North Carolina, this film is a celebration of light and a meditation on leaving.
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.
Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
A journey through a composite galaxy of artificial light.
A film about creation itself, a rite of the sun and the surfaces illuminated by it. Light capturing and light summoning "in a primitive attempt to catch the sun with my hands".