Series 4(1972)

Ghost in the Shell(ja)

In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as 'The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.

Oblivion(ru)

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

OCCHIO(it)

An important sensory organ, the eye, is damaged. The exhausting healing process takes us on an inner journey full of pain, fragility and mental unrest, in which even superstition and witchcraft seem to have an influence on recovery.

A Day In LC(en)

A person living in Liberty City goes to work, have some food & gets back home.

Elmer's Candid Camera(en)

Elmer takes up wildlife photography but finds his subject, a rabbit, much too rascally.

Ozymandias(en)

Ozymandias recites Percy Bysshe Shelley's poem of the same name. Selected AI-generated images and text-to-speech narration - with their vutlure-like generative methods, and already rapidly-dating aesthetics - are placed in parallel to the poem's explorations of legacy, decay, futility, and the future.

Gemini(en)

Sarah and her two cats go about their separate lives. The cats have strange dreams about their desires, and Sarah develops an unshakable paranoia that something is wrong with them. Sarah's paranoia bleeds into her social life, and her two cats have their dreams come true.

undressed(xx)

On the Road to Kandahar(en)

One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.

9(en)

When 9 first comes to life, he finds himself in a post-apocalyptic world. All humans are gone, and it is only by chance that he discovers a small community of others like him taking refuge from fearsome machines that roam the earth intent on their extinction. Despite being the neophyte of the group, 9 convinces the others that hiding will do them no good.

Appleseed(ja)

In a utopian society created at the end of the third world war, a female warrior who has been plucked from the badlands begins to see cracks in this new facade. And what does this community have planned for the rest of humankind?

Threnody(en)

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

Dull Hope(en)

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films

Memoria(en)

The memories of a man and a woman come to life through photography and animation.

Bunnyhood(en)

What could possibly be more important than feeding your daughter?

Dam$els of Luxury(en)

Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.

Revolution or Bust(en)

A surreal music video where a pop-up world of greed, rebellion, and revolution unfolds as cherubs, a devil, and a modern-day Jesus clash in a satirical battle for justice.

The Mitchells vs. the Machines(en)

A quirky, dysfunctional family's road trip is upended when they find themselves in the middle of the robot apocalypse and suddenly become humanity's unlikeliest last hope.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Vortex(pt)

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.