Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.
Himself
Himself
Himself
Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.
2004-07-13
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A journey through the golden age of Spanish rugby, from the late eighties to the early nineties: the incredible story of men who, with hard work, effort and perseverance, proved that any goal can be achieved.
Leicester Tigers face Plymouth in this early filmed rugby match, which took place 26 October 1901, at Leicester's Welford Road home. As is customary in early sporting films, only a small proportion of the match is captured, due to the technical limitations of the time. The match ended in a 3-3 draw.
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
James Franco interviews three experts on the poet Hart Crane, whose life was the subject of his feature The Broken Tower (2011).
In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.
A behind the scenes look at the sport of rugby with the 2015 Rugby World Cup as a backdrop, featuring interviews from players, coaches, referees and fans.
Documentary about the last four tumultuous years in the playing career of Ireland's legendary out-half.
Quadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.
Sport and politics most definitely do mix in this gripping look back at a brutal and turbulent time for New Zealand rugby, told from the point of view of the players themselves including David Kirk and Buck Shelford.
Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.
An historical documentary that rereads the recent death of Jorge Videla, bloodthirsty dictator of Argentina in the 70’s, telling the disappearance, one by one, of the members of La Plata Rugby club. A tragic and compelling story where the passion for politics and sport is opposed to a fascist - military regime.
Behind the scene peek at the shooting of international athletes for the famous calendar.
The film follows the rugby season of Uitenhage prop forward Zama Takayi - who plays for Progress Rugby club, the club that amalgamated the black clubs of the Uitenhage area in the early 90’s.
Directed by British-Nigerian professional rugby player Beno Obano, this candid and personal documentary gives a never-before seen insight into the world of professional rugby.
A nostalgic and colorful peek behind the pages and personalities of International Male, one of the most ubiquitous and sought-after mail-order catalogs of the 80s and 90s.
Since they were children, every summer they used to participate together in the traditional carnivals of their hometown. This magical celebration, transform men of the community into dionysiac figures with makeup, coloured costumes, glitter and feathers. Alcohol, friendship and parties out of control become the limelight. Boundaries get blurred with the heat of the sun at the edge of the imposing Paraná River.
A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe