Kanpur-based, pregnant Geeta Bhargav lives a wealthy lifestyle with her husband, Balwant, and three children: Shrikant, Arun and Usha. Her alcoholic and womanizing husband is arrested for killing a bodyguard of a Courtesan and is sentenced to 20 years in prison. She is then accused of luring men into her house and is asked to move on. Homeless, on the verge of starvation, she is unable to feed her family, and Usha passes away. She decides to become a widow, gets shelter, a job, and has Shrikant enrolled in a hostel. Then her luck changes when she is adopted by wealthy J.S. Archarya, and gives birth to Kirti. She explains her situation to Archarya, who wills her his entire estate and subsequently passes away.
J.S Acharya
Kanpur-based, pregnant Geeta Bhargav lives a wealthy lifestyle with her husband, Balwant, and three children: Shrikant, Arun and Usha. Her alcoholic and womanizing husband is arrested for killing a bodyguard of a Courtesan and is sentenced to 20 years in prison. She is then accused of luring men into her house and is asked to move on. Homeless, on the verge of starvation, she is unable to feed her family, and Usha passes away. She decides to become a widow, gets shelter, a job, and has Shrikant enrolled in a hostel. Then her luck changes when she is adopted by wealthy J.S. Archarya, and gives birth to Kirti. She explains her situation to Archarya, who wills her his entire estate and subsequently passes away.
1985-08-23
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In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
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