abstract short
abstract short
2018-10-27
9
SUMMARY:- A girl wakes up early in the morning to witness an immense Pain in her groin area & discovers blood on the bedsheet which makes her very uncomfortable to face her father. The next series of events lead her to understand whether she can speak about it or not, moreover, an important incident is highlighted between the use of face mask and sanitary pads as both are used for protection purposes. In this, her father get involved consciously and maintains stability and at the same time respecting her daughter's emotion in order to make her understand about the scenario, makes it even more effective love & affection for the father-daughter duo in facing each other and also towards the society.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
A collection of cartoons, each of which is a uniquely decorated folk tale.
Prem, Raj, Priya, and Deepak were inseparable friends, bound by years of laughter and memories. However, beneath their friendship, unspoken feelings lingered. Raj was deeply in love with Priya and hoped to confess his feelings, believing she felt the same. One evening, Raj finally gathered the courage to tell Priya how he felt. She listened quietly, her eyes full of emotion, and then gently said, "Raj, I care for you deeply, but my heart belongs to someone else." Raj was heartbroken but asked, "Who is it?" Priya hesitated before admitting, "It's Deepak." Deepak, who had no idea of Priya's feelings, was stunned when Raj revealed the truth to him. Prem, ever the peacemaker, stepped in to remind them that love was never meant to break bonds but to strengthen them. In the end, Tere Liye became a story not just about romantic love but about the love that keeps friendships alive through honesty, understanding, and acceptance.
A young man is desperate to bring his new girlfriend home for the night, despite a dark secret that lurks at the top of the stairs.
NEW AKINA Étranger Akina Nakamori in Europe is the first video release released by Nakamori Akina. It was released on October 12, 1983.
After losing their Missouri home during the Great Depression, the Skitch family pulls up stakes and heads west to California to begin life anew. Comedy, released in 1933.
Trying to escape his bath, Monicão ends up hiding in the movie theater. Mônica can't find her pet in the dark, so she asks Franjinha to play some short films that might lure the dog out of hiding.
Mishima lives in the shadows surrounded by worms in his underground lair. Early one morning, he discovers a rose in the sun in which the beautiful Saiko awakens. Mishima will do everything he can to satisfy her needs. But worms are not supposed to live in the sun...
The adventures of a Little Grey Fergie tractor with a magical spark plug which makes him a living being, and his “family” and the people working on their farm.
An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
Animated work detailing the unrequited love that a line has for a dot, and the heartbreak that results due to the dot's feelings for a lively squiggle.
Here the artist creates a world of color, form, movement and sound in which the elements are in a state of controllable flux, the two materials (visual and aural) are subject to any conceivable interrelation and modification.
Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery.
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.
An abstract animation with a motif of a dragonfly, and a complex multi-exposure landscape of a field and a woman's naked body overlap.
Adams Film is a visual collage combining live action footage with abstract images and textures drawn onto 16mm film stock. Footage of a casual Janiak family gathering is sandwiched between superimposed garden scenes and rebellious direct animation. The soundtrack consists of assorted tape loops.
“[T]he sense of moving forward [in space or time] alternates with a sense of expansion and contraction, as the finished cycle [of movement] returns to itself and rushes to catch up with its successor.” (Gadassik) Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
Early Abstractions is a collection of seven short animated films created by Harry Everett Smith between 1939 and 1956. Each film is between two and six minutes long, and is named according to the chronological order in which it was made. The collection includes Numbers 1–5, 7, and 10.
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
Rhythm and repetition plays an important role in the animated film Allahu Akbar by Usama Alshaibi. With this film, Alshaibi questions the confrontation between tradition and modernity by drawing inspiration from geometric motives of Islamic art. The artist offers a re-interpretation of these motifs through computer animation. By turning the shapes in different direction, new images are generated, freeing them from their fixed state. Traditional spiritual values feed the present and open up to a modern perspective.
The film was produced applying mixed techniques on Super 8 film support.
Partly figurative, partly abstract, Drux Flux is an animation film of fast-flowing images showing modern people crushed by industry. Inspired by One-Dimensional Man by the philosopher Herbert Marcus…
To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.
The mutating forms of Tensai Banpaku, or “Genius Expo” create a stunning abstract orchestra.