A series of ten black and white shorts.
A history of rock music during the 1960s, covering everything from the British Invasion that began with the Beatles to the psychedelic sound from San Francisco.
After her brother is attacked, the slayer finds herself on a deadly mission to avenge her family.
The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
On a high mountain plain lives a lamb with wool of such remarkable sheen that he breaks into high-steppin' dance. But there comes a day when he loses his lustrous coat and, along with it, his pride. It takes a wise jackalope - a horn-adorned rabbit - to teach the moping lamb that wooly or not, it's what's inside that'll help him rebound from life's troubles.
During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.
This DVD includes upbeat music for movement and active play, plus new activity modes: play, dance, and quiet-time modes; and new discovery cards: real-world animals and objects with sound effects.
With one coin to make a wish at the piazza fountain, a peasant girl encounters two competing street performers who'd prefer the coin find its way into their tip jars. The little girl, Tippy, is caught in the middle as a musical duel ensues between the one-man-bands.
Controversial director Gaspar Noé pays homage to the orgy scene from Kubrick’s Eyes Wide Shut, filmed in one single fluid shot.
A young boy who likes to play the flute dreams that he has lost his water buffalo.
A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator's sense of glory to a modern western in the style of Takeshi Kitano.
A romantic drama about two couples shifting sexual dynamics over one night in a music bar.
This experimental animated short shows the life of a forest through storms, seasons, and a variety of art forms.
Released to theaters in 1974, this collection of vintage Columbia short subjects included: "Yes, We Have No Bonanza" with The Three Stooges; "Violent Is the Word for Curly" with The Three Stooges; "You Nazty Spy!" with The Three Stooges (replaced by "Men in Black" for the nontheatrical reissue); "Nothing But Pleasure" with Buster Keaton; "Strife of the Party" with Vera Vague; Chapter 1 of the 1943 "Batman" serial with Lewis Wilson and Douglas Croft; and "America Sings with Kate Smith."
From childhood to adulthood, brothers Bilal and Nassim support each other no matter what.
“Let’s describe it as a desire to be outward followed by a fear of being seen,” The 1975’s Matty Healy tells Apple Music. “I think that is the conversation that happens in this record.” This short film finds Healy reflecting on his motivations and complexities as he and his bandmates reveal the ideas that fuelled their fourth album, Notes on a Conditional Form. It’s a unique and unguarded look at one of Britain’s most venturous bands.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.