Antropofagia Marginal(2020)

Fulano de Tal(pt)

Aliens do terceiro mundo e o sequestro de Dona Irene(pt)

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

Mangúe-Bangúe(pt)

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

The Ridiculous(pt)

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

Cocoon(pt)

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals.

Perifericu(pt)

Luz and Denise grow up in the midst of the adversities of being LGBT in the extreme south of the city of São Paulo. Between Vogue and poetry, from church to city access. The dreams and uncertainties of youth flood their existences.

Escândalo em Vermelho(pt)

Sangria(pt)

A Morte do Brasil(pt)

Never Stop on the Highway(pt)

In Brazil's countryside, Amanda tries to get her first show while Thamires tries to make her first film, both at risk of the highway.

Morra.com(pt)

'Morra.com' reveals the strength and importance of marginal cinema in the 60s and 70s. In the film, the cardboard collector dreams of becoming a filmmaker and producing a film, while uncovering a crime that occurred in ”Boca do Lixo” .

Mind of Clay(hi)

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

Forbidden Knowledge: Alien Artifacts(en)

Shocking new evidence of highly advanced civilizations mounts as previously unexplored regions of the earth reveal mind boggling artifacts that defy all convention and utterly mystify today's academic and scientific factions. It's clear there are massive gaps between our current understanding of the cosmos and the origins of humanity and that of ancient civilizations that existed before "recorded history". Experience unprecedented relics and artifacts that force us to re-evaluate the mainstream dogma of who we are and where we came from.

Arnaques à l'italienne(fr)

Furious and Fast: The Story of Fast Music and the Patiphone(he)

A music documentary about the independent "Fast Music" label and "The Patiphone" club in Tel Aviv from the late 90's till the late 00's.

Hellman Fellows Program(en)

Established by Warren & Chris Hellman and their children in 1994, the Hellman Fellows Program has supported more than 850 junior faculty members, who are now chairs and heads of departments, MacArthur Geniuses and tenured faculty with long track records of successful research.

The Endless Summer(en)

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities(en)

Megacities is a documentary about the slums of five different metropolitan cities.

Railway Station(pl)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.