Wild Wheels(1992)

The Wild World of Ted V. Mikels(en)

THE WILD WORLD OF TED V. MIKELS, a new documentary by Kevin Sean Michaels (no blood relation to Ted, but the same spirit), is a rollicking look at the independent cinema and film pioneering of Ted V. Mikels, who has been producing films for over 60 years. Way before limited-budget action films became termed as "grindhouse," Ted was wowing audiences with his own special brand of guts, gore, humor, violence and most of all -- style. THE CORPSE GRINDERS 1 + 2, THE ASTRO-ZOMBIES, 10 VIOLENT WOMEN, MISSION: KILLFAST, THE BLACK KLANSMAN, THE DOLL SQUAD, THE WORM EATERS and GIRL IN GOLD BOOTS are some of Ted's films that have made their cinematic mark.

The Serpent's Kiss(en)

A man sends a young architect to build an extravagant garden to bankrupt the husband of the woman he once loved.

Inside Out(en)

Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.

Bloodlust(en)

Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.

A Woman, Her Men, and Her Futon(en)

Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.

Let's Make a Movie(en)

Let's Make a Movie is the story of Cassie Thompson (Played by Hallie York), a college dropout and ex-film student who is tired of being disrespected and downtrodden, has decided that she's had enough. In a subconscious effort to turn her life around, she decides to make a movie with a rag-tag group of friends. The only problem is the movie is impossible for her to film without a $100 million budget, and her cast and crew are neurotic and inexperienced, to say the least. Will Cassie prevail and finish her movie, or will this become another mark on her long list of failures?

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Capturing Water(af)

Capturing Water delves into Cape Town’s escalating water crisis, a growing emergency in recent years. As pollution of natural water sources worsens and industrial and urban developments threaten access to clean water, government responses remain inadequate.

Watch You Rise(en)

Follows Isabella Grace Cohn as she works to understand and expose the roots of sexual harm — her peers’, her mother’s, and eventually her own. Along the way, she meets diverse survivors, perpetrators, and experts. Together they explore the cultural, educational and legal gray areas that fuel the cycle of harm in a quest for hope and transformation.

Oldemors reise(no)

Kvendetektivene(nb)

Under en annen himmel(nb)

This Is My Body(fr)

Jérôme was sexually abused as a child by a priest. In a deeply personal film, he tries to search for clues in his memories and come to terms with the complicity of his former social environment.

Awal: Nasib Manusia(id)

During the era of President Soekarno, several students were selected to study abroad, including Awal Uzhara, Sjumandjaja, Ami Priono, and Zubair Lelo. They were sent to Russia to study cinematography at VGIK (The Gerasimov Institute of Cinematography). Sjumandjaja and Ami Priono went on to become famous directors in Indonesia, but Awal Uzhara never had the same fortune. After completing his Master's degree in Moscow around 1965, political instability in Indonesia arose. The country's background, where Awal had studied, became associated with a negative stigma about communism, which was linked to him.

Ali Eats America(en)

17-year-old Ali Allouche, who is battling cancer, binges on food shows during his chemo treatments. Inspired by Anthony Bourdain’s "Parts Unknown," Ali plots a cross-country adventure to visit innovative chefs and immerse himself in America’s rich food culture.

The House of Clemens(en)

Toby Hadoke visits Brian Clemens widow and sons to discusses his life and career.

Apollo 1: Destination Moon(en)

At the height of the space race, three U.S. astronauts are tapped as the first Apollo crew. With dazzling archival footage and exceptional access, this riveting documentary explores the tragic events that followed, shaking NASA to the core.

The Birth of a Newspaper(de)

A documentary following the production of a daily newspaper.

Womb Rights & Wars(en)

Sarah and Kate find themselves as activists amid a war for reproductive rights in Florida and beyond. Together, they are more than business partners. They are best friends who find strength in one another to continue their hard work.

The Nest(en)

When her mother decides to sell their house, decolonial writer Julietta Singh returns to her childhood home on the Assiniboine River to say goodbye. As Singh listens to the stories embedded in its walls, the house reveals 140 years of overlooked histories—Japanese, Deaf, Métis, Indigenous, and Irish women whose lives, like Singh’s, were shaped by resistance and care. In this genre-defying, cross-community film, the home becomes more than a personal archive, transforming into a site of radical feminist possibility.