In his animated documentary, Henri Marbacher imagines a way of echoing the account of the migratory journey of Agìr, a young Kurd having transited from Syria to Switzerland. Between the voiceover and the animated material, a dialectic is established that reconstitutes memories as a duty of remembrance. – Tom Bidou
Facing the risk of deportation from Germany, Altay learns that he must present a valid reason to the immigration office to stay. On his way home, he encounters a man wearing a Spider-Man mask and, curious about his valid reason, conducts a brief interview. During their conversation, Altay realizes that a series of encounters has been helping him make sense of his recent anxieties. Inspired by this, he begins recording conversations with people who share a similar sense of delusion and brings strangers into organic dialogues. Through a blend of fiction, documentary, and animation, the film explores ...
The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.
A film about the unprecedented Swiss grassroots movement of regular citizens who rise to aid thousands of refugees stranded at the European borders. In rich and safe Switzerland people from all backgrounds leave their regular life behind to support people in need. There is a Swiss farmer and his wife who keep cows in the Swiss Alps, a former commander of the Swiss Army, an elder rich lady residing at the lakeside, and a successful comedian and entertainer. These unexperienced volunteers take on an adventure that will change their lives forever.
A man and his dog cross the desert in search of La Frontera, a mighty river that represents the geographical limit with the neighboring territory. Exhausted, they manage to see their goal, but they must cross other obstacles before conquering its waters.
A boy migrates from Guerrero to Colima in Mexico, guided by the illusion of his parents, who want him to study high school. Nevertheless, the inequality barriers force him to work as a sugarcane harvester.
Some Madurese choose to live outside their homeland, migrating to build a better life. Surabaya has become one of the destination cities for the Madurese people. They work hard, pursuing various professions. some of them are owning a scrap metal business.
Sometime, Somewhere sheds light on the challenges faced by Latino communities in Charlottesville, Virginia against the backdrop of immigration driven by factors like climate change, poverty, and drug-related violence.
What would Jesus preach in the 21st century? Who would his disciples be? And how would today's society respond to the return of the Son of God? With The New Gospel, Milo Rau is staging a "Revolt of Dignity". Led by political activist Yvan Sagnet, the movement is fighting for the rights of migrants who came to Europe across the Mediterranean to be enslaved on the tomato fields in southern Italy and to live in ghettos under inhumane conditions.
"Everybody should have a home. If you punish a nation, this is so abstract, it's very mean to use your power to put another country in your control... Instead of punishment, maybe we should have love." Eliane from Chile, Milad from Iran, and Georgia from Greece, three migrants in the UK and their thoughts on love, home, family, and Shakespeare's Romeo and Juliet.
In January 2017, a video showing a young Gambian man named Pateh Sabally drowning in the waters of Venice’s Grand Canal went viral on social networks. From the shore, passers-by could be heard insulting him, rather than attempting to help. 4,000 kilometres away, the voices and faces of his family tell the story that preceded this tragedy, the story behind the images.
Enduring 28 days of relentless construction labor, Frank struggles to prep a house for painting amidst Phoenix's scorching pandemic summer.
The parallel stories of four Pakistani immigrants in Greece become the trigger for the director to explore the story of his father, a worker in the Perama Shipyard. The background unfolds a most deadly shipwreck, Libyan immigrants found in limbo, as well as a (possibly racist) crime, which was committed during the shooting of this film.
With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.
Spiros is one of the many new migrants from Greece who seek a better life in Australia. But as he soon realizes, new dreams come at a great cost.
Lila suffocates in her brother's hospital room, she his the road. Vintimiglia. Women are loading a truck for a food distribution for refugees who try to cross the border. It's ramadan, they must eat before the prayer. Carrying bread loafs in her arms, Lila meets Youssef. Youssef doesn't speak a word of french and he's starving.
Samba migrated to France 10 years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burnout. Both struggle to get out of their dead-end lives. Samba's willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together.
Aurora is a young Colombian who, forced by circumstances, decides to emigrate to New York in search of a better future for herself and her family, working and sending newspapers money to her home. But when her mother falls ill, she must choose between returning to her country of origin and what this entails, giving up returning forever since she is undocumented, or staying and enduring the plight of her loved one from a distance and thus helping financially with her medical emergency. But this help that will represent so much effort will have an unexpected and painful fate in the hands of his brother.
Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.