Sail away to a bygone Cornwall in this wistful coastal travelogue.
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.
Roving foodies Angela May and Bobby Chinn embark on two culinary journeys across Asia. Angela travels to the western coast of India to sample the cuisine and culture of the thriving melting pot that is Goa. Meanwhile, Bobby travels to Manila where he discovers a passionate and humorous people, and their love of food.
In this special edition of Globe Trekker Chinatown, Lavinia Tan, Justine Shapiro and Megan McCormick travel worldwide to explore the magic and mystery of Chinatowns across the globe. Lavinia Tan begins the journey in Malaysia and Singapore where overseas traders led the earliest migrations of Chinese people. The journey continues from there to the United States, where Justine Shapiro visits San Francisco. Megan McCormick explores New York s Lower East Side, home to the largest Chinatown in the Western Hemisphere. After a short trip to London s Soho district, Lavinia Tan ends this journey with a visit to Hong Kong exploring the world famous film industry and the 21st century migration of Chinese back to their homeland.
This Traveltalk series short visit to the province of Ontario begins in Ottawa, Canada's capital, then proceeds to Algonquin Park, Toronto, and Niagara Falls.
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
As part of the 2017 UK-India Year of Culture, the British Council and British Film Institute share a unique collection of films documenting the sights and culture of a bygone India. Filmed between 1899-1947, and preserved in the BFI National Archive since then, these rare films capture many glimpses of life in India, from dances and markets, to hunts and pageantry.
Elephants disrupt the lives of a family deep in the jungles of Northern Siam, and an entire village.
The future Edward VIII enjoys a stately procession and visits the Taj Mahal before meeting senior Indian royalty.
The future Edward VIII visits his Empire, with Indian royalty, elephants, palaces and temples.
Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.
Members of the American Federation of Labor, the Atlantic & Gulf Coast District of the Seafarers International Union commissioned budding filmmaker and magazine photographer Stanley Kubrick to direct this half-hour documentary. The director's first film in color, it is more of an industrial film than a documentary, it served as a promotional tool to recruit sailors to the union.
This official travelogue of a royal tour follows the Prince on a series of regimental displays and a tiger hunt.
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
On a sailboat in the middle of the Ocean, five teenagers in rehabilitation are travelling with adults of different ages and backgrounds. Off unknown coastlines, the boat’s space becomes a huis-clos in which everyone faces their own difficulties, the challenge of living together and also the manoeuvres of sailing, the Ocean and its turmoil—until the arrival on land.
The vessel is Infinity, a 120-foot hand-built sailboat, crewed by a band of miscreants. The journey, an 8,000 mile Pacific crossing from New Zealand to Patagonia, with a stop in Antarctica. Unlike all the other boats heading to the Southern Ocean, Infinity is no ice-reinforced super-yacht crewed by professional sailors; rather, Infinity lives in the moment and sails on a whim. What can be found in abundance on board is blood, sweat, enthusiasm, risk tolerance, disdain for authority, and an ample supply of alcohol – all in all a mad voyage of reckless adventure just for the sheer joy of it. Along the way the crew will battle a hurricane of ice in the Ross Sea, assist the radical environmental group Sea Shepherd in their fight with illegal whalers, and tear every sail they have. At the heart of their journey is a quest for awe and a sense of wonder with the raw power of the natural world.
A Man Vanishes examines the concept of Johatsu, tackling the phenomenon of people missing in Japan over the years. It picks one such person from the list, someone who had seemed to disappear from the face of the earth due to embezzlement from his company, and the filmmakers begin an investigative documentary into the reasons behind and attempt at tracking him down.
In 1971, author and film scholar Donald Richie published a poetic travelogue about his explorations of the islands of Japan’s Inland Sea, recording his search for traces of a traditional way of life as well as his own journey of self-discovery. Twenty years later, filmmaker Lucille Carra undertook a parallel trip inspired by Richie’s by-then-classic book, capturing images of hushed beauty and meeting people who still carried on the fading customs that Richie had observed. Interspersed with surprising detours—a visit to a Frank Sinatra-loving monk, a leper colony, an ersatz temple of plywood and plaster—and woven together by Richie’s narration as well as a score by celebrated composer Toru Takemitsu, The Inland Sea is an eye-opening voyage and a profound meditation on what it means to be a foreigner.